VERSÕES DO BARROCO: MODERNO E PÓS-MODERNO

Walter  Moser; Maria José Faria R.  Coracini

Authors

Walter Moser Universidade de Montréal
Maria José Faria R. Coracini Universidade de Brasília (UnB)

Keywords:

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Abstract

Nowadays, in variou cultural areas, we can observe a vivid interest for the Baroque. In the 20th century, indeed, different national traditions have reevaluated the place of the Baroque in their cultural history. The author of this essay claims that we do not have to deal with a return to the baroque in historical terms, and even less with a nostalgic attitude towards the Baroque, but with a return of the Baroque in a specific historical context. This return,in fact, is part of a crisis of modernity. More precisely, a double hypothesis will be developed: the contemporary return of the Baroque is at the same time a reactivation of the melancholy side of modernity and a dismissal of the utopian side of modernity.

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Author Biography

Walter Moser, Universidade de Montréal

Professor do Departamento de Literatura Comparada da Universidade de Montréal, Canadá.

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