Que bom te ver viva:
vozes femininas reivindicando uma outra história
DOI:
https://doi.org/10.1590/S2316-40182014000100003Abstract
O direito de determinar o significado da ditadura militar no Brasil tem sido o centro de uma polêmica envolvendo membros da esquerda militante e do regime militar. A linguagem usada pelos dois grupos constantemente se revolve em torno de imagens míticas de “heróis”, “vítimas” ou “para o bem do povo”. Este ensaio discute o filme Que bom te ver viva, de Lúcia Murat, que traz uma nova perspectiva para esse debate. Tendo como ponto de partida o testemunho de oito ex-prisioneiras políticas, o filme procura responder a pergunta “Como sobrevivemos?”. O ensaio discute como o filme constrói quadros de memória que vão além daqueles tidos como representativos.
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