Considerações sobre a dramaturgia nacional-popular:
do projeto a uma tentativa de análise
Abstract
Este artigo parte da revisão do projeto nacional-popular, desenvolvido na dramaturgia brasileira entre as décadas de 1950-1970, que teve como centro gerador o Teatro de Arena de São Paulo. Essa revisão é feita considerando-se as diferentes acepções e interpretações em torno do “nacionalpopular”, no campo da crítica de dramaturgia/teatro, a partir do conceito cunhado pelo filósofo italiano Antonio Gramsci até a sua ampliação enquanto categoria de análise. Considera-se, para fins de análise, uma peça da dramaturga paraibana Lourdes Ramalho, As Velhas (1975), demonstrando-se como essa autora tem vínculos com a dramaturgia nacional-popular.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
a) The authors maintain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution License-Non Commercial 4.0 which allows the sharing of the work with acknowledgment of the authorship of the work and publication this journal.
b) Authors are authorized to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with authorship recognition and publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes, as well as increase the impact and citation of published work (See The Effect of Free Access).
d) The authors of the approved works authorize the magazine to, after publication, transfer its content for reproduction in content crawlers, virtual libraries and the like.
e) The authors assume that the texts submitted to the publication are of their original creation, being fully responsible for their content in the event of possible opposition by third parties.
