Situated criticism: four postulates on the work of literary criticism on cotidianity
DOI:
https://doi.org/10.1590/2316-4018641Keywords:
Literary criticism, place of speech, contemporary literatureAbstract
This article consists of a series of guidelines aimed at rethinking our place of speech as literary critics in order to establish an attractive and effective dialogue with cotidianity. It is structured from an idea of “situated” literary criticism thought more than as a discipline, as a practice that allows activating sensitivities about what is established by creating other ways of imagining it. The main hypothesis states that professionals of literature must be thinked from four identities: that of writers, that of archivists, that of ethnographers and that of diffusers. From there, the productions of Josefina Ludmer, Regina Dalcastagnè, Sylvia Molloy and Víctor Vich are analyzed, paying attention to their operations around the hegemonic canon and their specific work methodologies.
Downloads
References
ALCOFF, Laura (2016). Uma epistemologia para a próxima revolução. Revista Sociedade e Estado. Brasília, v. 31, n. 1, p. 129-143. Disponible en: https://bit.ly/3a98n6T Accedido el: 30 ago. 2021.
ALVES, David (2010). Curta Saraus. São Paulo: Coletivo Arte na Periferia. Disponible en: https://www.youtube.com/watch?v=cMDBPhZmFe4 Accedido el: 30 ago. 2021.
BARTHES, Roland (2003). ¿Qué es la crítica?. In: Ensayos críticos. Traducción de Carlos Pujol. Buenos Aires: Seix Barral.
BOURDIEU, Pierre (2007). El sentido práctico. Buenos Aires: Siglo XXI Editores.
COMPAGNON, Antonie (2015). El demonio de la teoría. Literatura y sentido común. Traducción de Manuel Arranz. Acantilado: Barcelona.
DALCASTAGNÈ, Regina (2012). Literatura brasileira contemporânea: um território contestado. Vinhedo: Horizonte.
DALCASTAGNÈ, Regina (2014). A personagem do romance brasileiro contemporâneo. Estudos de Literatura Brasileira Contemporânea, Brasília, n. 26, p. 13-71. Disponible en: https://bit.ly/2WJS1P0 Accedido el: 30 ago. 2021.
DALCASTAGNÈ, Regina (2018). A crítica literária em periódicos brasileiros contemporâneos. Estudos de Literatura Brasileira Contemporânea, n. 54, p. 195-209. Disponible en: https://bit.ly/3AqGdiF Accedido el 30 de ago. 2021.
FOUCAULT, Michel (2002). El a priori histórico y el archivo. In: FOUCAULT, Michel. La arqueología del saber. Buenos Aires: Siglo XXI Editores.
GUBER, Rosana (2011). La etnografía: método, campo y reflexividad. Buenos Aires: Siglo XXI Editores.
LUDMER, Josefina (2010). Aquí América Latina. Una especulación. Buenos Aires: Eterna Cadencia.
MOLLOY, Sylvia (2002). La flexión del género en el texto cultural latinoamericano. Cuadernos de Literatura, Bogotá, n. 8, p. 161-167. Disponible en: https://bit.ly/3iBbVDB Accedido el: 30 ago. 2021.
MORETTI, Franco (2015). Lectura Distante. Traducción de Lilia Mosconi. Buenos Aires: Fondo de Cultura Económica.
RICHARD, Nelly (2009). La cita académica y sus otros. In: RICHARD, Nelly. Campos cruzados. Crítica cultural, latinoamericanismo y saberes al borde. La Habana: Fondo Editorial Casa de las Américas.
RICHARD, Nelly (2010). En torno a los estudios culturales. Localidades, trayectorias y disputas. Santiago de Chile: Arcis/Clacso.
SVAMPA, Maristella (2008). Notas provisorias sobre la sociología, el saber académico y el compromiso intelectual. In: HERNANDEZ, Valeria; SVAMPA, Maristella (orgs.). Gèrard Althabe. Entre dos mundos. Reflexividad y compromiso. Buenos Aires: Prometeo.
VICH, Víctor (2001). El discurso de la calle. Los cómicos ambulantes y las tensiones de la modernidad en el Perú. Lima: Fondo editorial Pontificia Universidad Católica del Perú.
VICH, Víctor (2018). ¿Qué es un gestor cultural? En defensa y en contra de la cultura. In: YÁÑEZ CANAL, Carlos (org.) (2018). Práxis de la gestión cultural. Bogotá: Editorial Universidad Nacional de Colombia
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Lucía Tennina
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
Authors who publish in this journal agree to the following terms:
a) The authors maintain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution License-Non Commercial 4.0 which allows the sharing of the work with acknowledgment of the authorship of the work and publication this journal.
b) Authors are authorized to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with authorship recognition and publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes, as well as increase the impact and citation of published work (See The Effect of Free Access).
d) The authors of the approved works authorize the magazine to, after publication, transfer its content for reproduction in content crawlers, virtual libraries and the like.
e) The authors assume that the texts submitted to the publication are of their original creation, being fully responsible for their content in the event of possible opposition by third parties.
