About Flights, Blows and Voices: The Orides Fontela’s Poetic “(Anti)genesis”
DOI:
https://doi.org/10.1590/2316-40186113Keywords:
Orides Fontella, poetic criticism, poetic language, rhythmAbstract
This work aims to analyze the ontological status of poetic language, underpinned by a particular rhythm, based on the appreciation of two poems written by Orides Fontela: “Gênesis” (Helianto, 1973) and “Antigênesis” (Rosácea, 1986). Therefore, we will use Henri Meschonnic (2006) and Paul Valéry (2007) considerations concerning the formalization of poems as genuinely critical, scriptural objects of language, of themselves and of the world.
Downloads
References
AGAMBEN, Giorgio (2002). O fim do poema. Tradução de Sérgio Alcides. Cacto, São Paulo, n. 1, ago.
BÃBLIA (2006). Bíblia de Jerusalém. São Paulo: Paulus.
FONTELA, Orides (2015). Poesia completa. Organização de Luís Dolhnikoff. São Paulo: Hedra.
LOPES, Marcos Aparecido (2008). O canto e o silêncio na poética de Orides Fontela. Ipotesi, Juiz de Fora, v. 12, jul./dez.
MESCHONNIC, Henri (2006). Linguagem ritmo e vida. Tradução de Cristiano Florentino. Belo Horizonte: Fale/UFMG.
VALÉRY, Paul (2007). Variedades. Tradução de Maiza Martins de Siqueira. São Paulo: Iluminuras.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Nathaly Felipe Ferreira Alves
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
Authors who publish in this journal agree to the following terms:
a) The authors maintain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution License-Non Commercial 4.0 which allows the sharing of the work with acknowledgment of the authorship of the work and publication this journal.
b) Authors are authorized to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with authorship recognition and publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes, as well as increase the impact and citation of published work (See The Effect of Free Access).
d) The authors of the approved works authorize the magazine to, after publication, transfer its content for reproduction in content crawlers, virtual libraries and the like.
e) The authors assume that the texts submitted to the publication are of their original creation, being fully responsible for their content in the event of possible opposition by third parties.
