Poetry in the Expanded Field: A Reading of Sabonete Pôncio Pilatos, by Diego Dourado
DOI:
https://doi.org/10.1590/2316-40186112Keywords:
expanded poetry, Diego Dourado, materialities, inter-art worksAbstract
This article aims to read a contemporary poem that features dialogues between languages, expanding the poetical field. The chosen work, Sabonete Pôncio Pilatos, by the Brazilian poet Diego Dourado, can be thought of as an poem-object, a performance, conceptual poetry, or an expanded poem, among other temporary and insufficient categories. Located at the intersection between poetry and the visual arts, the work establishes relations between the context of its production and the modes of its circulation, inviting a reading of its face-to-face and inter-art character that calls on us to reflect on the relationship between the material choices in composition and the political reverberations of those choices.
Downloads
References
ALEIXO, Ricardo (2017). Encontros: a arte da entrevista. Rio de Janeiro: Beco do Azougue.
AUSLANDER, Phillip (2012). A performatividade da documentação de performance. Tradução Jorge Menna Barreto. ¿Hay em Portugués?, Florianópolis, n. 2, s.p.
CAMPOS, Augusto de; PIGNATARI, Decio; CAMPOS, Haroldo de (2006). Teoria da poesia concreta: textos críticos e manifestos 1950−1960. São Paulo: Ateliê.
DA VINCI, Leonardo (1943). Tratado de la pintura. Tradução Mario Pittaluga. Buenos Aires: Losada.
DOURADO, Diego (2014). Exclusivo ”“ Entrevista com o Poeta e Artista Plástico Diego Dourado. [Entrevista cedida a] Anand Rao. Cultura Alternativa, 9 nov 2014. 10min29s. Disponível em: https://bit.ly/324bsSx. Acesso em: 2 fev. 2019.
DOURADO, Diego (2015). Antologia dos estilhaços. Rio de Janeiro: 7Letras.
DOURADO, Diego (2016). Convergência: relações entre arte, poesia e música. Dissertação (Mestrado em Artes Visuais) ”“ Universidade Federal do Rio Grande do Sul, Porto Alegre.
FRIAS, Joana Matos (2008). Ut pictura poesis non erit. Lisboa: Revista Relâmpago, v. 10, n. 23, p.163-179.
FIORIN, José Luiz et al. (2003). Dialogismo, polifonia, intertextualidade. São Paulo, Edusp.
EISENSTEIN, Sergei (1958). Film form and The film sense: two complete and unabridged works by Sergei Eisenstein. Tradução de Jay Leyda. New York: Meridian Books.
HELDER, Herberto (2017). Photomaton & vox. Rio de Janeiro: Tinta-da-china Brasil.
KRAUSS, Rosalind (2004). A escultura no campo ampliado. Arte & Ensaios, Rio de Janeiro, 17, p.128-137.
LESSING, Gotthold Ephraim (2011). Laocoonte ou sobre as fronteiras da Pintura e da Poesia. Tradução Márcio Seligmann-Silva. São Paulo: Iluminuras.
LICHTENSTEIN, Jacqueline (Org) (2006). A pintura: textos essenciais. São Paulo: Ed. 34. v. 5.
MARTELO, Rosa Maria (2012). O cinema da poesia. Lisboa: Documenta.
PERLOFF, Marjorie (2013). O gênio não original: poesia por outros meios no novo século. Belo Horizonte: Editora UFMG.
POUND, Ezra (s.d.). ABC da literatura. Tradução de Augusto de Campos e José Paulo Paes. São Paulo: Cultrix.
SABONETE Pôncio Pilatos. Roteiro de Diego Dourado. Direção de Emílio Sagaz Andrade. Produzido por Orige e sagazrock, com trilha original e edição de Emílio Sagaz. 2 min 41 seg. Disponível em: https://www.youtube.com/watch?v=C_HYElIzEGo. Acesso em: 2 fev. 2019.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Telma Scherer

This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
Authors who publish in this journal agree to the following terms:
a) The authors maintain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution License-Non Commercial 4.0 which allows the sharing of the work with acknowledgment of the authorship of the work and publication this journal.
b) Authors are authorized to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with authorship recognition and publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes, as well as increase the impact and citation of published work (See The Effect of Free Access).
d) The authors of the approved works authorize the magazine to, after publication, transfer its content for reproduction in content crawlers, virtual libraries and the like.
e) The authors assume that the texts submitted to the publication are of their original creation, being fully responsible for their content in the event of possible opposition by third parties.