Mea Culpa and Self-Punishment: The Collaborationist in Beatriz Bracher’s Não falei and the defector in Adriana Lisboa’s Azul-corvo

Authors

  • Karina Marques Universidade de Poitiers

DOI:

https://doi.org/10.1590/2316-4018608

Keywords:

military dictatorship, duty of memory, Araguaia guerrilla, torture

Abstract

This comparative study of the works Não falei (2004) by Beatriz Bracher and Azul-corvo (2012) by Adriana Lisboa aims to analyze the representations of the responsibility-transfer mechanisms from the State to ordinary citizens, for crimes against humanity committed during the period of military dictatorship in Brazil. Building on the thoughts of Žižek (2012), we will take a look at how individuals, through the roles of informant and defector, are liable for acts of “subjective violence” committed by the regime, disregarding a primordial “systemic violence.” Taken from a logical causal context, these acts are matched and judged outside the legal system, analyzed within the personal spheres, according to affective and moral judgements. In the light of  Ricœur’s (2000) reflections on the abuses of oblivion, we will see how the “Amnesty Law” solidifies this alienating process that, in the interests of creating a national “imaginary unit,” dilutes all political crimes in a uniform amalgam of forgiveness. The Pollack’s (1993) concept of “underground memory” will help us observe the existing abuse also within the wheelhouse of memory, by forcing the penetration of the collective into the casing of individual memories. Finally, we will show how the imaginary, point of contact between literature and history, according to White (1987), proves to be an essential resource for freely remembering or forgetting, harboring these “subterranean memories.”

Downloads

Download data is not yet available.

References

AGAMBEN, Giorgio (1992). Ce qui reste d’Auschwitz. Paris : Éditions Payot & Rivages.
AGÊNCIA Estado (2009). Araguaia era vigiado desde anos 60, diz ex-informante. O Estado de S. Paulo, 25 jun. Disponível em: https://bit.ly/3d5Du3I. Acesso em: 19 jun. 2019.
BARTHES, Roland (1972). Le degré zéro de l’écriture. Paris: Éditions du Seuil.
BRACHER, Beatriz (2004). Não falei. São Paulo: Editora 34.
BUTLER, Judith (2005). Trouble dans le genre. Le féminisme et la subversion de l’identité. Paris: Éditions La Découverte.
CARDIA, Mirian Lopes (2017). Operação Bandeirantes (Oban). Arquivo Nacional do Ministério da Justiça e Segurança Pública. Disponível em https://bit.ly/3aZdIfk. Acesso em: 23 jun. 2019.
COMISSÃO NACIONAL DA VERDADE (2014). Contexto histórico das graves violações entre 1946 e 1988. Relatório da Comissão Nacional da Verdade, v. 1, p. 85-110, dez. Disponível em: https://bit.ly/2Wix2Aa. Acesso em: 19 jun. 2019.
DENIS, Benoît (2000). Littérature et engagement. De Pascal à Sartre. Paris: Éditions du Seuil.
FERREIRA, Aurélio Buarque de Holanda (1986). Dicionário Aurélio. Rio de Janeiro: Nova Fronteira.
FREUD, Sigmund (1985). L’inquiétante étrangeté et autres essais. Paris: Éditions Gallimard.
GIRARD, René (1998). La violence et le sacré. Paris: Hachette Pluriel.
GODOY, Marcelo (2014). Uma biografia do DOI-Codi (1969-1991), o centro de sequestro, tortura e morte da ditadura militar. São Paulo: Alameda Editorial.
HOUAISS, Antônio (2001). Dicionário Houaiss da língua portuguesa. Rio de Janeiro: Objetiva.
LISBOA, Adriana (2012). Azul-corvo. Lisboa: Quetzal.
MORAIS, Taís; SILVA, Eumano (2005). Operação Araguaia. São Paulo: Geração Editorial.
POLLAK, Michael (1990). L’expérience concentrationnaire. Paris: Éditions Métaillié.
POLLAK, Michael (1993). Une identité blessée. Paris: Éditions Métaillié.
RICŒUR, Paul (2000). La mémoire, l’histoire et l’oubli. Paris: Seuil.
TERNUMA (2011). Quem somos: grupo terrorismo nunca mais. Disponível em: https://www.ternuma.com.br/index.php/quem-somos. Acesso em: 19 jun. 2019.
WHITE, Hayden (1987). The content of the form. Narrative discourse and historical representation. Baltimore: The Johns Hopkins University Press.
ŽIŽEK, Slavoj (2012). Violence: la violence n’est pas un accident de nos systèmes, elle en est la cause. Paris: Au Diable Vauvert.

Published

2020-04-12

How to Cite

Marques, K. . (2020). Mea Culpa and Self-Punishment: The Collaborationist in Beatriz Bracher’s Não falei and the defector in Adriana Lisboa’s Azul-corvo. Estudos De Literatura Brasileira Contemporânea, (60), 1–12. https://doi.org/10.1590/2316-4018608