The performance of Cordisburgo’s storytellers and the presence of the storyteller as a character in Joao Guimaraes Rosa’s work

Authors

  • Marcela Mapurunga Universidade de Brasília

DOI:

https://doi.org/10.26512/dramaturgias.v0i4.8532

Keywords:

Guimaraes Rosa; Paul Zumthor; performance; storytellers; Cordisburgo.

Abstract

This essay is divided in two parts, the first of wich, based on Paul Zumthor’s poetic communication theory, analyses six performance acts made by two groups of storytellers from the city of Cordisburgo, Minas Gerais, who present the work of the Brazilian writer, Joao Guimaraes Rosa, through public performances. The second part uses Zumthor’s notions to analyse the presence of the storyteller as a character in Rosa’s fiction, taking the examples of Joana Xaviel and Camilo, characters of Uma estória de amor; and Laudelim, character of O Recado do Morro, two tales from the book Corpo de Baile.

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Author Biography

Marcela Mapurunga, Universidade de Brasília

Mestranda do Programa de Pós-Graduação em Metafísica, UnB.

Published

2017-10-27

How to Cite

Mapurunga, M. (2017). The performance of Cordisburgo’s storytellers and the presence of the storyteller as a character in Joao Guimaraes Rosa’s work. Dramaturgies, (4), 238–307. https://doi.org/10.26512/dramaturgias.v0i4.8532

Issue

Section

Ideias e críticas