Fidelio (1956): A Walter Felsenstein's Film with Hanns Eisler
DOI:
https://doi.org/10.26512/dramaturgias.vi13.31075Keywords:
Opera. Fidelio. Walter Felsenstein. Hanns Eisler.Abstract
This paper deals with the analyze the film Fidelio, created by Walter Felsenstein with the collaboration of Hanns Eisler, recently published on DVD in the scope of the monumental edition that marked the thirtieth anniversary of the director's death (1901-1975). The circumstances that gave rise to the project and its final result demand a brief retrospective of Felsenstein's path as an opera director and his theory of the Musiktheater.Access to most of the sources I used in this work was given to me at the Felsenstein-Archiv of the Akademie der Künste (Academy of Arts) in Berlin, to whom I am grateful for the precious support that was provided to me.
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References
Adorno, Gesammelte Schriften, 20 vols, Darmstadt: WBG, XV, 3-156.
Felsenstein, Walter (1986), Theater muß immer etwas Totales sein. Briefe, Aufzeichnungen, Reden, Interviews, Berlim: Henschelverlag.
Hofmann, Heinz (1957), “Da stiegen Menschen ans Licht, in: Deutsche Filmkunst, 9 (1957): 267-269.
Vieira de Carvalho, Mário (2010), “Defender a ópera contra os seus entusias- tas: ‘Musiktheater’ de Walter Felsenstein a Peter Konwitschny”, in: IX Colóquio de Outono - Estudos Performativos: Global Performance / Political Performance (eds. Ana Gabriela Macedo, Carlos Mendes de Sousa, Vítor Moura), V.N. Famalicão, Centro de Estudos Humanísticos da Universidade do Minho / Ed. Húmus, 2010: 257-272.
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