Programa iconográfico e regime do olhar na arte medieval

Abstract

This article presents reflexions about interpretative possibilities considering a historian view upon medieval iconography. Through a dialogue with Gombrich, Panofsky, Le Goff, Didi-Huberman e Saussure, the analysis attempts to approach aspects of reading Middle Age Art - conditions e limits -, observing that it assumes dominant forms of language expressing a Christian and ecclesiastic project.