Caminho dos Ossos

Abstract

The fragmented writing brings in its own transtemporality the promiscuous performativity between the references of literature, action in the visual arts, anthropology, contemporary philosophy and social sciences, which now transits through a place traditionally recognized as academic, now recognized as becoming in movement in poetic essays, bringing us to the fracture of different languages and concepts, tales and the construction of writing as another aesthetic object that is not attached to the mere description of the actions evoked. The third bank of the river, concept-image from the story of João Guimarães Rosa appears as a fracture of time, third line, production of deviation in the social body. Édouard Glissant is made present from concepts such as poetics of relations, trace / residue, creolization and trembling thought.