Tom, volume e arranjo no chiaroscuro da memória:
Sinfonia em branco, de Adriana Lisboa
DOI:
https://doi.org/10.1590/2316-4018376Abstract
Este trabalho mostra o paralelo entre o processo psicológico dos personagens Tomás, Maria Inês e Clarice e as formas musical, plástica, cinematográfi ca, literária, pelas quais expressam seu esclarecimento gradativo ao lidar com seus traumas. Tom, volume e arranjo se fundem. Confi guram-se como aparições e ausências, em sombras e luzes, em vozes que modulam silêncios e protestos. As memórias desconexas e repetitivas dos personagens se orquestram segundo aqueles padrões estéticos como tentativa de desvendar o absurdo de sua situação.
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