Intersemiotic narrative reflections in “A antivéspera” by Olney São Paulo

Authors

  • Claudio Cledson Novaes Universidade Estadual de Feira de Santana - UEFS

DOI:

https://doi.org/10.1590/2316-4018373

Abstract

Neste artigo, discutimos a singularidade do discurso intersemiótico no estilo da escrita literária do cineasta Olney São Paulo, através da análise do seu conto “A antevéspera”.

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References

AVELLAR, José Carlos (2007). O chão da palavra: cinema e literatura no Brasil. Rio de Janeiro: Rocco/Artemídia.

BENJAMIN, Walter (1994). Obras escolhidas. Magia e técnica, arte e política. São Paulo: Brasiliense.

COMPAGNON, Antoine (2007). O trabalho da citação. Belo Horizonte: Ed. UFMG.

EISENSTEIN, Sergei (2002). O sentido do fi lme. Rio de Janeiro: Zahar.

PLAZA, Julio (2008). Tradução intersemiótica. São Paulo: Perspectiva.

SANTIAGO, Silviano (2002). Nas malhas da letra: ensaios. Rio de Janeiro: Rocco.

SÃO PAULO, Olney (1969). A antevéspera e o canto do sol: contos e novelas. Rio de Janeiro: José Álvaro Editor.

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Published

2011-07-27

How to Cite

Novaes, C. C. (2011). Intersemiotic narrative reflections in “A antivéspera” by Olney São Paulo. Estudos De Literatura Brasileira Contemporânea, (37), 47–59. https://doi.org/10.1590/2316-4018373

Issue

No. 37 (2011): Literatura e outras linguagens

Section

Thematic Section

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