Arquivos de mulheres e mulheres anarquivadas:
histórias de uma história mal contada
Abstract
O artigo parte da reflexão derridiana sobre os males do arquivo para refletir sobre as escritoras brasileiras ”anarquivadas”, isto é, deixadas de fora da memória literária nacional. Nesse sentido, pretende discutir sobre as dificuldades interpostas à pesquisa de textos de autoria feminina, especialmente os mais antigos, e seus impactos na formação do cânone.
Downloads
References
COMPAGNON, Antoine. O demônio da teoria: literatura e senso comum. Trad. de Cleonice Paes Barreto Mourão e Consuelo Fortes Santiago. Belo Horizonte: Editora UFMG, 2001.
DERRIDA, Jacques. Mal de arquivo: uma impressão freudiana. Trad. de Cláudia de Moraes Rego. Rio de Janeiro: Relume Dumará, 2001.
MUZART, Zahidé Lupinacci (org.) Escritoras brasileiras do século XIX. Antologia. Florianópolis: Editora Mulheres, 1999.
______. Escritoras brasileiras do século XIX. Antologia. Florianópolis: Editora Mulheres, 2004. v. II.
PEREIRA, Lúcia Miguel. “As mulheres na literatura brasileira”. Revista Anhembi, nº 49, ano V, vol. XVII. São Paulo, dez. 1954.
WOOLF, Virginia. Um teto todo seu. Trad. de Vera Ribeiro. Rio de Janeiro: Nova Fronteira, 1985.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
a) The authors maintain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution License-Non Commercial 4.0 which allows the sharing of the work with acknowledgment of the authorship of the work and publication this journal.
b) Authors are authorized to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with authorship recognition and publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes, as well as increase the impact and citation of published work (See The Effect of Free Access).
d) The authors of the approved works authorize the magazine to, after publication, transfer its content for reproduction in content crawlers, virtual libraries and the like.
e) The authors assume that the texts submitted to the publication are of their original creation, being fully responsible for their content in the event of possible opposition by third parties.
