Por um teatro político e popular:
manifestos do musical brasileiro, 1966-1983
Abstract
O teatro brasileiro entre 1964 e 1983 freqüentemente se organizou na forma de espetáculos musicais para responder ao regime militar. Este artigo estuda quatro prefácios a peças publicadas e encenadas naquele período. Esses prefácios, escritos pelos dramaturgos Oduvaldo Vianna Filho, Ferreira Gullar e Dias Gomes e pelo diretor Flávio Rangel, contêm idéias estéticas e políticas que nos podem interessar ainda agora.
Downloads
References
GOMES, Dias. O rei de Ramos. 2 ed. Rio de Janeiro: Bertrand Brasil, 1987.
______E GULLAR, Ferreira. Dr. Getúlio, sua vida e sua glória. Rio de Janeiro: Civilização Brasileira, 1968.
______. Vargas. Rio de Janeiro: Civilização Brasileira, 1983.
MARQUES, Fernando. “A última aula do mestre do teatro brasileiro”. Caderno de Sábado, Jornal da Tarde. São Paulo, 12 de fevereiro de 2000.
VIANNA FILHO, Oduvaldo e GULLAR, Ferreira. Se correr o bicho pega, se ficar o bicho come. Rio de Janeiro: Civilização Brasileira, 1966.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
a) The authors maintain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution License-Non Commercial 4.0 which allows the sharing of the work with acknowledgment of the authorship of the work and publication this journal.
b) Authors are authorized to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with authorship recognition and publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes, as well as increase the impact and citation of published work (See The Effect of Free Access).
d) The authors of the approved works authorize the magazine to, after publication, transfer its content for reproduction in content crawlers, virtual libraries and the like.
e) The authors assume that the texts submitted to the publication are of their original creation, being fully responsible for their content in the event of possible opposition by third parties.