The exhibition Corpo-Poema as destabilizing object of the literary:

interview with Thays Albuquerque and Marília Cacho

Authors

DOI:

https://doi.org/10.1590/10.1590/2316-4018558

Abstract

Interview with Thays Albuquerque and Marília Cacho.

Downloads

Download data is not yet available.

References

AGAMBEN, Giorgio (2007). Profanações. Tradução e apresentação de Selvino José Assman. São Paulo: Boitempo.
AGAMBEN, Giorgio (2009). O que é o contemporâneo: e outros ensaios. Tradução de Vinícius Nicastro Honesko. Chapecó: Argos.
DALCASTAGNÈ, Regina (2012). Literatura brasileira contemporânea: um território contestado. Rio de Janeiro: Editora da UERJ.
SUSSEKIND, Flora (2013). Objetos verbais não identificados. O Globo, Rio de Janeiro, Prosa & Verso. On-line. Disponível em: <https://glo.bo/2MOzdap> Acesso em: 9 abr. 2017.
WAISELFISZ, Julio Jacobo. Mapa da violência 2015: homicídio de mulheres no Brasil. Rio de Janeiro: Flacso.

Downloads

Published

2018-09-18

How to Cite

Costa Junior, J. V. L. da. (2018). The exhibition Corpo-Poema as destabilizing object of the literary:: interview with Thays Albuquerque and Marília Cacho. Estudos De Literatura Brasileira Contemporânea, (55), 135–147. https://doi.org/10.1590/10.1590/2316-4018558

Issue

No. 55 (2018): Authorship in the present culture - Luciene Azevedo, Cristian Molina e Paloma Vidal (Eds.)

Section

Interviews

License

Authors who publish in this journal agree to the following terms:

a) The authors maintain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution License-Non Commercial 4.0 which allows the sharing of the work with acknowledgment of the authorship of the work and publication this journal.

b) Authors are authorized to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with authorship recognition and publication in this journal.

c) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes, as well as increase the impact and citation of published work (See The Effect of Free Access).

d) The authors of the approved works authorize the magazine to, after publication, transfer its content for reproduction in content crawlers, virtual libraries and the like.

e) The authors assume that the texts submitted to the publication are of their original creation, being fully responsible for their content in the event of possible opposition by third parties.