Boi Tufão: análise ecolinguística da música sertaneja de raiz na sociedade rural baiana do início do séc. XX
Abstract
The objective of this article is discuss the music and lyrics “Boi Tufão”, sang by Trio Parada Fura, using the framework of ecolinguistics. This piece enables unveils some of the social relationships of the beginning of 20th century in the hinterland of Bahia, as well as the relationships of humans with their environment. The mental make-up of the language is also presente, as can be seen in the lives of the hillbillies. The inevitability of destiny can also be seen in the music, a destiny we cannnot avoid. This happens from the time of the Greeks up to the presente time. There are also some features that do not belong to the hinterland’s lefe.
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References
COUTO, Elza Kioko Nakayama Nenoki do. Ecolinguistica e Imaginario. Brasília: Thesaurus, 2012.
JUNG, C.G. Tipos psicológicos. Petrópolis: Vozes, 1991.
PEREIRA, Ricardo A. B. Os Sertões ”“ a Narrativa de Euclides da Cunha como referencia principal a tragédia na serie de Canudos. In: Canudos ”“ Tragédia e arte na xilogravura de Adir Botelho. Rio de Janeiro: UFRJ/EBA, 2012.
VERNAT, Jean Pierre. ‘Razões do Mito’. In: Mito e sociedade na Grécia antiga. Brasília: Editora da UnB/Rio de Janeiro: José Olímpio, 1992.
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