Otoposoposto: a gesamtkunstwerk de Heráclito

Authors

  • Airan Santos Barbosa de Sousa Correio Universidade de Brasília

DOI:

https://doi.org/10.26512/dramaturgias.v0i6.8445

Keywords:

Heraclitus, Creation and performance, Gesamtkunstwerk, Total work of art.

Abstract

The purpose of this article is to analyze the proposal of a process of creation in the philosophical concept of the Gesamtkunstwerk from another work of art-total composed by Heraclitus. In this text the totality of the art and its materialization in its forms is approached. It is hoped by this experiment, based on fragments of Heraclitus, the demonstration of new processes for the fusion of the forms of the Art.

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References

TRAHNDORFF, Karl Friedrich Eusebius. Ästhetik oder Lehre von Weltanschauung und Kunst. Berlin: Maurer, 1827.

BROWN, Hilda Meldrum. The quest for the Gesamtkunstwerk and Richard Wagner. Oxford: Oxford University Press, 2016.

WAGNER, Richard. Die Kunst und die Revolution. Leipzig: Otto Wigand Verlag, 1849.

CARTER, Elliott. Collected Essays - 1937-1995 Eastman Studies in Music. Rochester: University of Rochester, 1998.

WAGNER, Richard. Das Kunstwerk der Zukunft. Leipzig: Otto Wigand Verlag, 1850.

HEIDEGGER, Martin. Heráclito: a origem do pensamento ocidental. Rio de Janeiro: Relume Dumara, 1998.

JAEGER, Werner Wilhelm. Paidéia: a Formação do Homem Grego. Tradução de Artur M. Parreira. 4. ed. São Paulo: Martins Fontes, 2001.

VERNANT, Jean-Pierre. As origens do pensamento grego. Tradução de Isis Borges B. da Fonseca. 12. ed. Rio de Janeiro: DIFEL, 2002.

Published

2017-12-10

How to Cite

Correio, A. S. B. de S. (2017). Otoposoposto: a gesamtkunstwerk de Heráclito. Dramaturgies, (6), 70–104. https://doi.org/10.26512/dramaturgias.v0i6.8445