A técnica belting usada no teatro musical norte-americano e a pedagogia vocal no Brasil
DOI:
https://doi.org/10.26512/dramaturgias.v1i2-3.8748Keywords:
Belting, Musical, Singing, Voice physiology, Voice pedagogy.Abstract
Through extensive bibliographical research, interviews with American and Brazilian voice teachers, and pedagogical and musical practice, the author analyzed the physiological and artistic basis of the contemporary singing utilized in American popular music in its most controversial style of production, belting. The importance to know more about this style is clear, because vocal models coming from the US are frequently used with no rigor or training in musicals and shows and in Brazilian vocal music, resulting in inconsistency of timbres, health problems and loss of vocal quality. The results of this research indicate that the singer must learn to change the vocal tract and the vocal intensity in a subtle manner so the singer will not cover the voice too much or get into a situation of register violation (MILLER, 2000), keeping the expected timbre for the style, with stamina and health.
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