Espaço Cênico-Musical: vida em movimento – ação

Abstract

This article intends to make a panoramic mapping of the methodologies, forms of rehearsal and production of the choir shows at the Universidade Federal do Ceará. It is intended to discuss with more circumspection the conception of the show most currently orchestrated by the choir conductors, in the wake of the work of the scholar Izaíra Silvino. From this perspective, the show, even though it uses procedures and theatrical aspects, moves towards a form of performance that highlights the choir as a collective and directive character in scenic actions, emphasising the plurisemiotic character of the various languages used on stage.