Faithful to the context? The presentation and representation of American objects in European collections
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AntropologiaResumo
In an exhibition entitled ART/artifact, which could be seen in various US museums between 1988 and 1990, objects from Africa were displayed in a variety of museum settings and installation styles (Exhibition Catalogue New York 1988). Some were given an overtly aesthetic presentation as a sculptural group in a way that was familiar to those who visit collections of modem sculpture in museums of modem art. Others were given individual treatment, presented under plexiglass and sanctified by spotlights. For instance, by displaying a repoussé’brass head made in the royal court of Abomey (Benin) lying on its side, it could be made to evoke works like Brancusi’s Sleeping Muse. The elongated stalks of three ivory hatpins from Zaire could be regarded as an abstract sculpture or a graceful plant, though their original audience saw them as neither. A pointed bark cloth hat from Zaire could become an effective sculpture under the photographer’s spotlights, arguably looking more interesting than when it was on someone’s head.
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Referências
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ALLEN, M. 1964. The Tnidescants. Their Phmts, Gardens and Museum 1570-1662. London: Michael Joseph.
ALVARADO PÉREZ, M. and P. Mason, (in press). La desfiguración del outro. Aisthesis: Revista Chilena de Investigaciones Estéticas.
ANDERS, F. and P. Kann. 1996. Die Schütze des Montezuma. Utopie und Wirklichkeit.
Vienna: Museum für Võlkcrkunde. Anonymous. 1966. Premieres images d’un cabinet de curieux: l’album du cabinet Petau, vers 1612. Gazette des Heaux-Arts, 108 (68): 113-127.
BALDRIGA, I. 1998. “II museo anatomico di Giovanni Faber Linceo”. In Scienza e miracolinelV del ‘600. Alie origini della medicina moderna (S. Rossi, ed.). Milan: Electa, pp. 82-87.
BANN, S. 1984. The Clothing o f Clio. A Study o f the Representation o f History in Nineteenthcentury Britcun and France. Cambridge: Cambridge University Press.
BAXANDALL, M. 1991. “Exhibiting intention: some preconditions of the visual display of culturally purposeful objects” . In Exhibiting Cultures. The Poetics and Politics o f Museum Display (I. Karp and S.D, Lavine, eds.). Washington: Smithsonian Institute Press, pp. 33-41.
BEER, G. R. de 1953. Sir Hans Sloane and the British Museum. London: Oxford University Press.
BERGVELT, E. and R. Kistemaker (eds). 1992. De wereld binnen handbereik. Nederlandse kunst- en rariteitenverzamelingen, 1585-1735. Zwolle, Netherlands: Waanders.
BOOGAART, E. van den and F. .1. Duparc (eds). 1979. Zo wijd de wereld strekt. The Hague: Johan Maurits van Nassau Stichting.
BOOGERT, B. van den (ed.). 1999. Rembrandt’s Treasures. Waanders, Zwolle: The . Rembrandt House Museum.
BOON, K. G. 1978. Netherlandish Drawings o f the Fifteenth and Sixteenth Centuries in the Rijksmuseum, 2 vols. The Hague: Staatsuitgeverij.
BOUCHER, P. P. 1992. Cannibal Encounters. Europeans and Island Caribs, 1492-1763. Baltimore and London: Johns Hopkins University Press.
BREARS, P. C. D. 1989. Ralph 'l'horesby, a museum visitor in Stuart England. Journal o f the History o f Collections, 1 (1): 213-224.
BÜ1TNER, N. 1998. “Abraham Ortelius comme collectionneur”. In Abraham Ortelius (1527 1598) cartographe et humaniste. Turnhout: Musée Plantin-Moretus and Bibliothèque royale de Belgique, pp. 168-180.
CÉARD, J. 1977. La nature et les prodiges. L ’insolite au X V f siècle, en France. Geneva: Droz.
___”¢ (ed.). 1986. La Cunosité à la Renaissance. Paris: SEDES.
CHIRELSTEIN, E. 1990. “Lady Elizabeth Pope: the heraldic body”. In Renaissance Bodies. The Human Figure in English Culture c.1540-1660 (L. Gent and N. Llewellyn, eds.). London: Reaktion. pp. 36-59.
DACOS, N. 1969. Presents Amcricains à la Renaissance. L’assimilation de l’exotisme. Gazette des Beaux-Arts, 73: 57-64.
DAM-MIKKELSEN, B. and T. Lundbaek. 1980. Etnografiske genstande i Det kongelige danske Kunstkammer 1650-1800. Copenhagen: Nationalmuseet.
DE MAN, P. 1983. Blindness and Insight. Essays in the Rhetoric of Contemporary Criticism. 2I“I ed. London: Routledge.
DERRIDA, J. 1967. Marges. Paris: Minuit.
DURRANS. B. 1988. “The future of the other: changing cultures on display in ethnographic museums”. In The Museum Time-Machine (R. Lumley, ed.). London: Routledge. pp. 144-169.
DUVERGER, C. 1983. L'origine des Aztèques. Paris: Seuil.
EGMOND, F. and P. Mason. 1993. Armadillos in unlikely places. Some unpublished sixteenth-century sources for New World Rezeptionsgeschichte in Northern Europe. Ibero-Amerikanisches Archiv, 20 (1-2): 3-52.
---- . 1995. Report on a wild goose chase. Journal o f the History o f Collections, 7 (1): 25-43.
------ . 1996. Skeletons on show: learned entertainment and popular knowledge. History Workshop Journal, 41 (1): 92-116.
------. 1997. The Mammoth and the Mouse, Microhistory and Morphology. Baltimore: Johns
Hopkins University Press.
------. 2000. These are people who eat raw fish” : contours of the ethnographic imagination in the sixteenth century. Viator, 31: 311-360.
EXHIBITION CATALOGUE Madrid. 2001. La Ilusión de la Belleza. Una geografia de la estética. Museo Arqueológico Nacional. Madrid: Ministerio de Educación y Cultura.
EXHIBITION CATALOGUE New York. 1988. ART/Artifact: African Art in Anthropology Collections. New York: Center for African Art.
EXHIBITION CATALOGUE Schleswig. 1997. Gottorf im Glam des Barock: Kunst und
Kultur am Schleswiger Hof 1544-1714, 4 vols (U. Kuhl, ed.). Schleswig: Schleswig- Holsteinisches Landes-museum.
FALK, T. 1987. “Frühe Rezeplion der Neuen Welt in der graphische Kunst”. In Humanismus und Neue Welt (W. Reinhard, ed.). Bonn: Deutsche Forschungsgemeinschaft. pp. 37-64.
FEEST, C.F. 1985. “Mexico and South America in the European Wunderkammer” . In The Origins o f Museums (O. lmpey and MacGregor, eds.). Oxford: Clarendon Press, pp. 237-244.
____. 1988, Jacques Le Moyne minus four. European Review o f Native American Studies, 1 (1): 33-38.
____. 1990. Vienna’s Mexican treasures. Aztec, Mixtee, and Tarascan works from sixteenthcentury Austrian collections. Archiv fü r Võlkerkunde, 44: 1-64.
___ . 1992. North America in the European Wunderkammer before 1750. With a Preliminary Checklist. Archiv fü r Võlkerkunde, 46: 61-109.
___ . 1993. European collecting of American Indian artefacts and art. Journal o f the History of Collections, 5 (1): 1-11.
___ . 1995. “The collecting of American Indian artifacts in Europe, 1493-1750”. In America in European Consciousness 1493-1750 (K. Ordahl Kuperman, ed). Chapel Hill. University of North Carolina Press, pp. 324-360.
F1NDLEN, P. 1994. Possessing Nature: Museums, Collecting, and Scientific Culture in Early Modem Italy. Berkeley and Los Angeles: University of California Press.
FRANCHINI, D. et al. 1979. La Scienza a Corte. Collezionismo eclettico, natura e immagine a Mantova fra Rinascimento e Manierismo. Rome: Bulzoni, Rome.
FRITZ, R. 1983. Gefüsse aus Kokosnuss in Mitteleuropa: 1250-1800. Mainz am Rhein: Philipp von Zabern.
FUCHS, [R.] Fuchs and J. Breen. 1916. Aus dem “Itinerarium” des Christian Knorr von Rosenroth. Jiuirboek Amstelodanum, 14: 201-256.
GINZBURG, C. 1986. Mili Emblemi Spie. Turin: Einaudi.
___. 19 9 1 . Representation: le mot, l'idée, la chose. Annales ESC, 45 (6): 1219-1234.
GOROPIUS BECANUS, J. 1569. Origines Antwerpianae. Antwerp: Plantijn.
GREENBERG, K. 1990. The nose, the lie, and the duel in the Antebellum South. American Historical Review, 95 (1): 57-74.
GREENBLATT, S. J. 1990. Learning to Curse. Essays in Early Modem Culture. London: Routledge.
HAMELL, G. R. 1987. “Mohawks abroad: the 1764 Amsterdam etching of Sychnecta”. In Indians and Europe. An Interdisciplinary Collection o f Essays (C. Feest, ed.). Aachen: Rader Verlag. pp. 175-193.
HAMY, E.-T. 1907a. L’Album des habitants du Nouveau Monde d’Antoine Jacquard, graveur poetivin du commencement du XVII siècle. Journal de la Société des Américanistes de Paris, nouv. sér., IV (2): 225-236.
____. 1907b. Le Bas-Relief de l’Hotel du Brésil au Musée Départemental d’Antiquités de Rouen. Journal de la Société des Américanistes de Paris, nouv. ser., IV (1): 1-6.
___ ”¢ 1908. Les Indiens de Rasilly peints par Du Viert et graves par Firens et Gaultier (1613). Étude iconographique et ethnographique. Journal de la Société des Américanistes de Paris, nouv. sér., V: 21-52.
HERON-ALLEN, E. 1928. Barnacles in nature and in myth. London: Oxford University Press.
HOENIGER, F. D. 1985. “How plants and animals were studied in the mid-sixteenth century”. In Science and the Arts in the Renaissance (J.W. Shirley and F.D. Hoeniger, eds.). New Jersey, London and Ontario: Associated University Presses, pp. 130-148.
HONOUR, H. 1975. The New Golden Land. European Images o f America from the Discoveries to the Present Time. London: Allen Lane.
IMPEY, O. and A. MacGregor (cds). 1985. The Origins o f Museums. Oxford: Clarendon Press.
JANSON, H. W. 1961. “The ‘Image Made by Chance’ in Renaissance thought”. In De artibus opuscula XL. Essays in honor o f Erwin Panofsky, 2 vols. (M. Meiss, ed.). New York: New York University Press, pp. 254-266.
JONES, M. Jones (ed.). 1990. Fake? The Art o f Deception. London: British Museum Press.
JOPPIEN, R. 1978. Etude de quelques portraits ethnologiques dans l’oeuvre d’André Thevet. Gazette des Beaux-Arts: 125-136.
JOPPIEN. R. and B. SMITH. 1988. The Art o f Captain Cook's Voyages. The Voyage o f the Resolution and Discovery 1776-1786. Volume III. New Haven: Yale University Press.
KAPPLER, Cl. 1980. Monstres, demons et merveilles à la fin du Moyen Age. Paris: Payot.
KIERNAN, V. 1989. “Noble and ignoble savages”. In Exoticism in the Enlightenment (G.S. Rousseau and R. Porter. Eds.). Manchester: Manchester University Press, pp. 86-116.
KING, J. C. H. 1994. “Ethnographic collections: collecting in the context of Sloane’s Catalogue of ‘Miscellanies’”. In Sir Hans Sloane: Collector, Scientist, Antiquary (A. MacGregor, ed.). London: British Museum Press, pp. 228-244.
KIRSHENBLATT-GIMBLETT, B. 1991. “Objects of Ethnography”. In Exhibiting Cultures. The Poetics and Politics o f Museum Display (I. Karp and S.D. Lavine, eds.). Washington: Smithsonian Institute Press, pp. 386-443 [Reprinted in the same author’s Destination Culture. Tourism, Museums, and Heritage. Berkeley: University of California Press].
KOHL, K.-H. 1981. Entzauberter Blick. Das Bild vom Guten Wilden und die Erfahrung der Tivilisation. Berlin: Medusa.
LAURENCICH-MINELLI, L. 1982. “Bologna und Amerika vom 16, bis zum 18, Jh.” In Exhibition Catalogue Berlin (K-H. Kohl, ed.). Berlin: Frolich and Kaufmann. pp. 147- 154.
____.1985. “Museography and ethnographical collections in Bologna during the sixteenth and seventeenth centuries”. In The Origins o f Museums (O. Impey and A. MacGregor, eds.). Oxford: Clarendon Press, pp. 17-23.
___. 1992. Bologna e il Mondo Nuovo. Bologna: Grafis.
LEITH-ROSS, P. 1984. The John Tradescants. Gardeners to the Rose and Lily Queen. London: Peter Owen.
VANDENBROECK, P. 1992. “Amerindian Art and Ornamental Objects in Royal Collections. Brussles, Mechelen, Duurstede, 1520-1530” . In Exhibition Catalogue Antwerp (P. Vandenbroeck, ed.). pp. 99-119.
VINCENT, L. Vincent. 1706. Wondertoneel der Nature. Amsterdam.
VITART, A. 1992. “American Curiosities”. In Americas Lost 1492-1713. The First Encounter (D. Lévine, ed.). Paris: Musée de l’Homme, Bordas, pp. 115-125.
VOGEL, S. 1991. “Always True to the Object, in Our Fashion”. In Exhibiting Cultures. The Poetics and Politics o f Museum Display (I. Karp and S. D. Lavine, eds.). Washington and London: Smithsonian Institute Press, pp. 191-204.
WHITEHEAD, N. L. 1987. “Earliest extant painting of Greenlanders” . In Indians and Europe: An Interdisciplinary Collection o f Essays (C. F. Feest, ed.). Gottingen/Aachen: Herodot/Rader Verlag. pp. 141-159.
WHITEHEAD, P. J. P. and M. BOESEMAN. 1989. A Portrait o f Dutch 17th Century Brazil. Animals, Plants and People by the Artists o f Johan Maurits o f Nassau. Amsterdam: North-Holland.
WORP, J. A. 1915. Briefwisseling van C. Huygens, 1608-1687. The Hague: Mouton.
collecting in Milan in the late Renaissance and Baroque periods” . In The Origins o f Museums (O. Impey and A. MacGregor, eds.). Oxford: Clarendon Press, pp. 24-28.
ALLEN, M. 1964. The Tnidescants. Their Phmts, Gardens and Museum 1570-1662. London: Michael Joseph.
ALVARADO PÉREZ, M. and P. Mason, (in press). La desfiguración del outro. Aisthesis: Revista Chilena de Investigaciones Estéticas.
ANDERS, F. and P. Kann. 1996. Die Schütze des Montezuma. Utopie und Wirklichkeit.
Vienna: Museum für Võlkcrkunde. Anonymous. 1966. Premieres images d’un cabinet de curieux: l’album du cabinet Petau, vers 1612. Gazette des Heaux-Arts, 108 (68): 113-127.
BALDRIGA, I. 1998. “II museo anatomico di Giovanni Faber Linceo”. In Scienza e miracolinelV del ‘600. Alie origini della medicina moderna (S. Rossi, ed.). Milan: Electa, pp. 82-87.
BANN, S. 1984. The Clothing o f Clio. A Study o f the Representation o f History in Nineteenthcentury Britcun and France. Cambridge: Cambridge University Press.
BAXANDALL, M. 1991. “Exhibiting intention: some preconditions of the visual display of culturally purposeful objects” . In Exhibiting Cultures. The Poetics and Politics o f Museum Display (I. Karp and S.D, Lavine, eds.). Washington: Smithsonian Institute Press, pp. 33-41.
BEER, G. R. de 1953. Sir Hans Sloane and the British Museum. London: Oxford University Press.
BERGVELT, E. and R. Kistemaker (eds). 1992. De wereld binnen handbereik. Nederlandse kunst- en rariteitenverzamelingen, 1585-1735. Zwolle, Netherlands: Waanders.
BOOGAART, E. van den and F. .1. Duparc (eds). 1979. Zo wijd de wereld strekt. The Hague: Johan Maurits van Nassau Stichting.
BOOGERT, B. van den (ed.). 1999. Rembrandt’s Treasures. Waanders, Zwolle: The . Rembrandt House Museum.
BOON, K. G. 1978. Netherlandish Drawings o f the Fifteenth and Sixteenth Centuries in the Rijksmuseum, 2 vols. The Hague: Staatsuitgeverij.
BOUCHER, P. P. 1992. Cannibal Encounters. Europeans and Island Caribs, 1492-1763. Baltimore and London: Johns Hopkins University Press.
BREARS, P. C. D. 1989. Ralph 'l'horesby, a museum visitor in Stuart England. Journal o f the History o f Collections, 1 (1): 213-224.
BÜ1TNER, N. 1998. “Abraham Ortelius comme collectionneur”. In Abraham Ortelius (1527 1598) cartographe et humaniste. Turnhout: Musée Plantin-Moretus and Bibliothèque royale de Belgique, pp. 168-180.
CÉARD, J. 1977. La nature et les prodiges. L ’insolite au X V f siècle, en France. Geneva: Droz.
___”¢ (ed.). 1986. La Cunosité à la Renaissance. Paris: SEDES.
CHIRELSTEIN, E. 1990. “Lady Elizabeth Pope: the heraldic body”. In Renaissance Bodies. The Human Figure in English Culture c.1540-1660 (L. Gent and N. Llewellyn, eds.). London: Reaktion. pp. 36-59.
DACOS, N. 1969. Presents Amcricains à la Renaissance. L’assimilation de l’exotisme. Gazette des Beaux-Arts, 73: 57-64.
DAM-MIKKELSEN, B. and T. Lundbaek. 1980. Etnografiske genstande i Det kongelige danske Kunstkammer 1650-1800. Copenhagen: Nationalmuseet.
DE MAN, P. 1983. Blindness and Insight. Essays in the Rhetoric of Contemporary Criticism. 2I“I ed. London: Routledge.
DERRIDA, J. 1967. Marges. Paris: Minuit.
DURRANS. B. 1988. “The future of the other: changing cultures on display in ethnographic museums”. In The Museum Time-Machine (R. Lumley, ed.). London: Routledge. pp. 144-169.
DUVERGER, C. 1983. L'origine des Aztèques. Paris: Seuil.
EGMOND, F. and P. Mason. 1993. Armadillos in unlikely places. Some unpublished sixteenth-century sources for New World Rezeptionsgeschichte in Northern Europe. Ibero-Amerikanisches Archiv, 20 (1-2): 3-52.
---- . 1995. Report on a wild goose chase. Journal o f the History o f Collections, 7 (1): 25-43.
------ . 1996. Skeletons on show: learned entertainment and popular knowledge. History Workshop Journal, 41 (1): 92-116.
------. 1997. The Mammoth and the Mouse, Microhistory and Morphology. Baltimore: Johns
Hopkins University Press.
------. 2000. These are people who eat raw fish” : contours of the ethnographic imagination in the sixteenth century. Viator, 31: 311-360.
EXHIBITION CATALOGUE Madrid. 2001. La Ilusión de la Belleza. Una geografia de la estética. Museo Arqueológico Nacional. Madrid: Ministerio de Educación y Cultura.
EXHIBITION CATALOGUE New York. 1988. ART/Artifact: African Art in Anthropology Collections. New York: Center for African Art.
EXHIBITION CATALOGUE Schleswig. 1997. Gottorf im Glam des Barock: Kunst und
Kultur am Schleswiger Hof 1544-1714, 4 vols (U. Kuhl, ed.). Schleswig: Schleswig- Holsteinisches Landes-museum.
FALK, T. 1987. “Frühe Rezeplion der Neuen Welt in der graphische Kunst”. In Humanismus und Neue Welt (W. Reinhard, ed.). Bonn: Deutsche Forschungsgemeinschaft. pp. 37-64.
FEEST, C.F. 1985. “Mexico and South America in the European Wunderkammer” . In The Origins o f Museums (O. lmpey and MacGregor, eds.). Oxford: Clarendon Press, pp. 237-244.
____. 1988, Jacques Le Moyne minus four. European Review o f Native American Studies, 1 (1): 33-38.
____. 1990. Vienna’s Mexican treasures. Aztec, Mixtee, and Tarascan works from sixteenthcentury Austrian collections. Archiv fü r Võlkerkunde, 44: 1-64.
___ . 1992. North America in the European Wunderkammer before 1750. With a Preliminary Checklist. Archiv fü r Võlkerkunde, 46: 61-109.
___ . 1993. European collecting of American Indian artefacts and art. Journal o f the History of Collections, 5 (1): 1-11.
___ . 1995. “The collecting of American Indian artifacts in Europe, 1493-1750”. In America in European Consciousness 1493-1750 (K. Ordahl Kuperman, ed). Chapel Hill. University of North Carolina Press, pp. 324-360.
F1NDLEN, P. 1994. Possessing Nature: Museums, Collecting, and Scientific Culture in Early Modem Italy. Berkeley and Los Angeles: University of California Press.
FRANCHINI, D. et al. 1979. La Scienza a Corte. Collezionismo eclettico, natura e immagine a Mantova fra Rinascimento e Manierismo. Rome: Bulzoni, Rome.
FRITZ, R. 1983. Gefüsse aus Kokosnuss in Mitteleuropa: 1250-1800. Mainz am Rhein: Philipp von Zabern.
FUCHS, [R.] Fuchs and J. Breen. 1916. Aus dem “Itinerarium” des Christian Knorr von Rosenroth. Jiuirboek Amstelodanum, 14: 201-256.
GINZBURG, C. 1986. Mili Emblemi Spie. Turin: Einaudi.
___. 19 9 1 . Representation: le mot, l'idée, la chose. Annales ESC, 45 (6): 1219-1234.
GOROPIUS BECANUS, J. 1569. Origines Antwerpianae. Antwerp: Plantijn.
GREENBERG, K. 1990. The nose, the lie, and the duel in the Antebellum South. American Historical Review, 95 (1): 57-74.
GREENBLATT, S. J. 1990. Learning to Curse. Essays in Early Modem Culture. London: Routledge.
HAMELL, G. R. 1987. “Mohawks abroad: the 1764 Amsterdam etching of Sychnecta”. In Indians and Europe. An Interdisciplinary Collection o f Essays (C. Feest, ed.). Aachen: Rader Verlag. pp. 175-193.
HAMY, E.-T. 1907a. L’Album des habitants du Nouveau Monde d’Antoine Jacquard, graveur poetivin du commencement du XVII siècle. Journal de la Société des Américanistes de Paris, nouv. sér., IV (2): 225-236.
____. 1907b. Le Bas-Relief de l’Hotel du Brésil au Musée Départemental d’Antiquités de Rouen. Journal de la Société des Américanistes de Paris, nouv. ser., IV (1): 1-6.
___ ”¢ 1908. Les Indiens de Rasilly peints par Du Viert et graves par Firens et Gaultier (1613). Étude iconographique et ethnographique. Journal de la Société des Américanistes de Paris, nouv. sér., V: 21-52.
HERON-ALLEN, E. 1928. Barnacles in nature and in myth. London: Oxford University Press.
HOENIGER, F. D. 1985. “How plants and animals were studied in the mid-sixteenth century”. In Science and the Arts in the Renaissance (J.W. Shirley and F.D. Hoeniger, eds.). New Jersey, London and Ontario: Associated University Presses, pp. 130-148.
HONOUR, H. 1975. The New Golden Land. European Images o f America from the Discoveries to the Present Time. London: Allen Lane.
IMPEY, O. and A. MacGregor (cds). 1985. The Origins o f Museums. Oxford: Clarendon Press.
JANSON, H. W. 1961. “The ‘Image Made by Chance’ in Renaissance thought”. In De artibus opuscula XL. Essays in honor o f Erwin Panofsky, 2 vols. (M. Meiss, ed.). New York: New York University Press, pp. 254-266.
JONES, M. Jones (ed.). 1990. Fake? The Art o f Deception. London: British Museum Press.
JOPPIEN, R. 1978. Etude de quelques portraits ethnologiques dans l’oeuvre d’André Thevet. Gazette des Beaux-Arts: 125-136.
JOPPIEN. R. and B. SMITH. 1988. The Art o f Captain Cook's Voyages. The Voyage o f the Resolution and Discovery 1776-1786. Volume III. New Haven: Yale University Press.
KAPPLER, Cl. 1980. Monstres, demons et merveilles à la fin du Moyen Age. Paris: Payot.
KIERNAN, V. 1989. “Noble and ignoble savages”. In Exoticism in the Enlightenment (G.S. Rousseau and R. Porter. Eds.). Manchester: Manchester University Press, pp. 86-116.
KING, J. C. H. 1994. “Ethnographic collections: collecting in the context of Sloane’s Catalogue of ‘Miscellanies’”. In Sir Hans Sloane: Collector, Scientist, Antiquary (A. MacGregor, ed.). London: British Museum Press, pp. 228-244.
KIRSHENBLATT-GIMBLETT, B. 1991. “Objects of Ethnography”. In Exhibiting Cultures. The Poetics and Politics o f Museum Display (I. Karp and S.D. Lavine, eds.). Washington: Smithsonian Institute Press, pp. 386-443 [Reprinted in the same author’s Destination Culture. Tourism, Museums, and Heritage. Berkeley: University of California Press].
KOHL, K.-H. 1981. Entzauberter Blick. Das Bild vom Guten Wilden und die Erfahrung der Tivilisation. Berlin: Medusa.
LAURENCICH-MINELLI, L. 1982. “Bologna und Amerika vom 16, bis zum 18, Jh.” In Exhibition Catalogue Berlin (K-H. Kohl, ed.). Berlin: Frolich and Kaufmann. pp. 147- 154.
____.1985. “Museography and ethnographical collections in Bologna during the sixteenth and seventeenth centuries”. In The Origins o f Museums (O. Impey and A. MacGregor, eds.). Oxford: Clarendon Press, pp. 17-23.
___. 1992. Bologna e il Mondo Nuovo. Bologna: Grafis.
LEITH-ROSS, P. 1984. The John Tradescants. Gardeners to the Rose and Lily Queen. London: Peter Owen.
VANDENBROECK, P. 1992. “Amerindian Art and Ornamental Objects in Royal Collections. Brussles, Mechelen, Duurstede, 1520-1530” . In Exhibition Catalogue Antwerp (P. Vandenbroeck, ed.). pp. 99-119.
VINCENT, L. Vincent. 1706. Wondertoneel der Nature. Amsterdam.
VITART, A. 1992. “American Curiosities”. In Americas Lost 1492-1713. The First Encounter (D. Lévine, ed.). Paris: Musée de l’Homme, Bordas, pp. 115-125.
VOGEL, S. 1991. “Always True to the Object, in Our Fashion”. In Exhibiting Cultures. The Poetics and Politics o f Museum Display (I. Karp and S. D. Lavine, eds.). Washington and London: Smithsonian Institute Press, pp. 191-204.
WHITEHEAD, N. L. 1987. “Earliest extant painting of Greenlanders” . In Indians and Europe: An Interdisciplinary Collection o f Essays (C. F. Feest, ed.). Gottingen/Aachen: Herodot/Rader Verlag. pp. 141-159.
WHITEHEAD, P. J. P. and M. BOESEMAN. 1989. A Portrait o f Dutch 17th Century Brazil. Animals, Plants and People by the Artists o f Johan Maurits o f Nassau. Amsterdam: North-Holland.
WORP, J. A. 1915. Briefwisseling van C. Huygens, 1608-1687. The Hague: Mouton.
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Mason, Peter. 2018. “Faithful to the Context? The Presentation and Representation of American Objects in European Collections”. Anuário Antropológico 24 (1):51-95. https://periodicos.unb.br/index.php/anuarioantropologico/article/view/6740.
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