METÁFORA E MONTAGEM (OU: DO PROCESSO METAFÓRICO COMO ACOPLAGEM ANALÓGICA)
DOI :
https://doi.org/10.26512/aguaviva.v4i3.25527Mots-clés :
Metáphore, Montage, Gilbert Simondon, Aby WarburgRésumé
Dans cet article, j’essaie de proposer une compréhension du processus métaphorique en tant qu’assemblage analogue et dépliage relationnel d’un couplage orpo avec un support matériel. À cette fin, je présente le concept de montage dans la philosophie de Gilbert Simondon et dans la pensée spéculative de Aby Warburg, ainsi que dans la pratique artistique de Jean-Luc Godard. En fin de compte, je développe cette compréhension de l’assemblage de matériaux à partir de trois dimensions formelles du processus métaphorique: récursion, compression et transduction.
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Références
Referências Bibliográficas:
BALÁSZ, B. Béla Balázs: Early Filme Theory. Visible Man and The Spirit of Film. Tradução de: Rodney Livingstone. CARTER, E. (Ed.). New York/Oxford: Berghahn Books, 2010.
BARAD, K. Meeting the Universe Halfway. Durham: Duke University Press, 2007.
BATESON, G. Steps to an Ecology of Mind. New York: Ballantine Books, 1978.
BENJAMIN, W. The Arcades Project. Cambridge: Harvard University Press, 2002.
BLACK, M. Models and Metaphors. New York: Cornell University Press, 1962.
______. More about Metaphor. In: ORTONY, A. (Ed.). Metaphor and thought. Cambridge: Cambridge University Press, 1992.
CAZEAUX, C. Metaphor and continental philosophy. London: Routledge, 2007.
CHUN, W. Programming Visions. Cambridge: MIT Press, 2011.
DIDI-HUBERMAN, G. A imagem sobrevivente: história da arte e tempo dos fantasmas segundo Aby Warburg. Rio de Janeiro: Editora Contraponto, 2013.
______. Atlas ou o gaio saber inquieto: O olho da história, III. Tradução de: Vera Casanova e Márcia Arbex. Belo Horizonte: Editora UFMG, 2018.
EISENSTEIN, S. Non-indiferrent Nature: Film and the Structure of Things. Cambridge: Cambridge University Press, 1988.
______. Film Form. London: Harvest, 1997.
ERNST, W. Kittler-Time (Getting to Know Other Temporal Relationships with the Assistance of Technological Media). In: IKONIADOU, E.; WILSON, S. (Eds.). Media After Kittler. London: Rowman & Littlefield International, 2015.
GROSZ, Elizabeth. Deleuze, Ruyer and Becoming-Brain: the music of life’s temporality. Parrhesia, n. 15, p. 1-13, 2012.
GRUPO μ. Rhétorique generale. Paris: Larousse, 1970.
LAKOFF, G. & JOHNSON, M. Philosophy in the Flesh. New York: Basic books, 1999.
______. Metaphors we Live by. Chicago: University of Chicago Press, 2003.
MICHAUD, P.-H. Aby Warburg e a Imagem em Movimento. Rio de Janeiro: Editora Contraponto, 2013.
QUINE, W. V. Postcript on metaphor. Critical Inquiry, Chicago, v. 5, n. 1, p. 161-162, 1978.
RICOEUR, P. The Philosophy of Paul Ricoeur. Boston: Beacon Press, 1978.
______. La métaphore vive. Paris: Seuil, 1997.
RIDING, L. Further on metaphor. PN Review, Manchester, v. 34, n. 4, 2008.
RUYER, R. La génese des formes vivantes. Paris: Flammarion, 1958.
SAUVAGNARGUES, A. Crystals and Membranes: Individuation and Temporality. In: DE BOEVER, A.; MURRAY, A.; ROFFE, J.; WOODWARD, A. (Eds.). Gilbert Simondon, Being and Technology. Edinburgh: Edinburgh University Press, 2013. p. 57-72.
______. L’averse du sable, l’atome et l’embrion. Critique, v. 804, n. 5, p. 402-416, 2014.
______. Artmachines. Edinburgh: Edinburgh University Press, 2016.
SIMONDON, G.. L’Individuation à la lumière des notions de forme et de information. Paris: MILLON, 2013.
WAGNER, R. Symbols that stand for themselves. Chicago: University of Chicago Press, 1986.
BALÁSZ, B. Béla Balázs: Early Filme Theory. Visible Man and The Spirit of Film. Tradução de: Rodney Livingstone. CARTER, E. (Ed.). New York/Oxford: Berghahn Books, 2010.
BARAD, K. Meeting the Universe Halfway. Durham: Duke University Press, 2007.
BATESON, G. Steps to an Ecology of Mind. New York: Ballantine Books, 1978.
BENJAMIN, W. The Arcades Project. Cambridge: Harvard University Press, 2002.
BLACK, M. Models and Metaphors. New York: Cornell University Press, 1962.
______. More about Metaphor. In: ORTONY, A. (Ed.). Metaphor and thought. Cambridge: Cambridge University Press, 1992.
CAZEAUX, C. Metaphor and continental philosophy. London: Routledge, 2007.
CHUN, W. Programming Visions. Cambridge: MIT Press, 2011.
DIDI-HUBERMAN, G. A imagem sobrevivente: história da arte e tempo dos fantasmas segundo Aby Warburg. Rio de Janeiro: Editora Contraponto, 2013.
______. Atlas ou o gaio saber inquieto: O olho da história, III. Tradução de: Vera Casanova e Márcia Arbex. Belo Horizonte: Editora UFMG, 2018.
EISENSTEIN, S. Non-indiferrent Nature: Film and the Structure of Things. Cambridge: Cambridge University Press, 1988.
______. Film Form. London: Harvest, 1997.
ERNST, W. Kittler-Time (Getting to Know Other Temporal Relationships with the Assistance of Technological Media). In: IKONIADOU, E.; WILSON, S. (Eds.). Media After Kittler. London: Rowman & Littlefield International, 2015.
GROSZ, Elizabeth. Deleuze, Ruyer and Becoming-Brain: the music of life’s temporality. Parrhesia, n. 15, p. 1-13, 2012.
GRUPO μ. Rhétorique generale. Paris: Larousse, 1970.
LAKOFF, G. & JOHNSON, M. Philosophy in the Flesh. New York: Basic books, 1999.
______. Metaphors we Live by. Chicago: University of Chicago Press, 2003.
MICHAUD, P.-H. Aby Warburg e a Imagem em Movimento. Rio de Janeiro: Editora Contraponto, 2013.
QUINE, W. V. Postcript on metaphor. Critical Inquiry, Chicago, v. 5, n. 1, p. 161-162, 1978.
RICOEUR, P. The Philosophy of Paul Ricoeur. Boston: Beacon Press, 1978.
______. La métaphore vive. Paris: Seuil, 1997.
RIDING, L. Further on metaphor. PN Review, Manchester, v. 34, n. 4, 2008.
RUYER, R. La génese des formes vivantes. Paris: Flammarion, 1958.
SAUVAGNARGUES, A. Crystals and Membranes: Individuation and Temporality. In: DE BOEVER, A.; MURRAY, A.; ROFFE, J.; WOODWARD, A. (Eds.). Gilbert Simondon, Being and Technology. Edinburgh: Edinburgh University Press, 2013. p. 57-72.
______. L’averse du sable, l’atome et l’embrion. Critique, v. 804, n. 5, p. 402-416, 2014.
______. Artmachines. Edinburgh: Edinburgh University Press, 2016.
SIMONDON, G.. L’Individuation à la lumière des notions de forme et de information. Paris: MILLON, 2013.
WAGNER, R. Symbols that stand for themselves. Chicago: University of Chicago Press, 1986.
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Publié-e
2019-12-31
Comment citer
CASTRO, Vinicius Portella. METÁFORA E MONTAGEM (OU: DO PROCESSO METAFÓRICO COMO ACOPLAGEM ANALÓGICA). Revista Água Viva, [S. l.], v. 4, n. 3, 2019. DOI: 10.26512/aguaviva.v4i3.25527. Disponível em: https://periodicos.unb.br/index.php/aguaviva/article/view/25527. Acesso em: 21 nov. 2024.
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