POÉTICAS CONTEMPÔRANEAS: LIRISMO, COLETIVIDADE E RESISTÊNCIA NA POESIA DO RAP

Résumé

The present text discussed the rap genre from the perspective of lyrical-collective resistance poetry. More specifically, it raises the following hypothesis, namely: although lyrical the poetry of national rap presents a collective, peripheral and resistance character in its composition. He maintains this, insofar as it is possible to envisage a kind of transition from the lyrical I of rap, which a priori is an individual-ego, to an essentially collective I-us; and it is in this endeavor to seek (with) unity that resides its character of resistance. He further maintains that such poetry acts as an instrument for the propagation and appreciation of identities, knowledge, rituals, ways of life and worldviews of the communities that produce it. This also establishes a locus of enunciation that has on the periphery its own center, thus referencing the idea of ”‹”‹community. To do so, it analyzes some rap lyrics from theoretical instruments of linguistic-literary science.