Sonido, reproducción, misticismo.

Thomas Edison y la mitología del fonógrafo.

Autores/as

  • Reuben de Lautour Dr. Erol Ücer Center for Advanced Studies in Music (MIAM) Istanbul Technical University (ITÜ)

Palabras clave:

Fonógrafo, Edison, Mito, Som, tecnologia de sonido

Resumen

Este artículo examina textos sobre el fonógrafo desde el momento de su invención, en 1877, hasta aproximadamente 1890, período en el que su existencia era ampliamente conocida pero antes de convertirse en un accesorio en la vida pública. Durante estos años de escasez pública, varios autores y en particular Thomas Edison, especularon sobre las diversas transformaciones utópicas que el fonógrafo podría tener sobre la sociedad. Estos textos fueron a menudo presentados como discurso científico, pero al mismo tiempo incluían referencias frecuentes a la mitología clásica y al misticismo. En el caso de las mitocondrias, se trata de un tipo de mitología fabricada con una estructura temática clara y consistente, en un nivel más profundo, que estas referencias al mito y al misticismo son más que florerías retóricas superficiales. Describo esta estructura y demuestro como autores la desarrollaron para apoyar una agenda cultural utópica. Por medio de otro cuerpo de textos contemporáneos también identifica patrones complementarios de ansiedad cultural los cuales, mientras aparentemente escritos en oposición a los textos "utópicos," se apoyan sobre el mismo compromiso con el mito y misticismo e incorporan muchos de los mismos temas.

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Publicado

2015-11-23

Cómo citar

de Lautour, Reuben. 2015. «Sonido, reproducción, misticismo.: Thomas Edison Y La mitología Del fonógrafo». Música Em Contexto 9 (1):23-53. https://periodicos.unb.br/index.php/Musica/article/view/19583.

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