Reframing and reshaping Greek music history,
Keywords:
Greek music history, digital repositories, archives, researchAbstract
Digitization projects across cultural sectors have revealed and gave the opportunity for researchers to shape and refocus their work around new perspectives. This meant that many new resources have been made available, sources that were not even within the scope of researchers. This has been also valid for musicologists. Through these new resources that were made available not only locally but globally, musicologists gained access into new archival repositories that were based far away or they were unknown. But these practices had another immediate effect and that was the impact that they could have to the understanding of music history in full. This is even more visible when someone is working with subjects that are set on the periphery and somehow away from the center of the established scholarship. Therefore, in this article I will be focusing on how the understanding of Greek music history has been affected and reshaped due to the ongoing revelation and wide access of various resources that have been made available towards these last years.
Downloads
References
Charkiolakis, Alexandros. 2011. “Εξετάζοντας μια Ï€Ïοσφάτως ανακαλυφθείσα αναγωγή για πιάνο της Î Ïιγκίπισσας της Σασσώνος του ΣπÏÏου ΣαμάÏα" [Examining a recently discovered spartito of Princess of Sasson by Spyros Samaras]”. In Proceedings of the conference: Heptanisian Opera and Music Theatre up until 1953. Athens. http://www.theatre.uoa.gr/fileadmin/theatre.uoa.gr/uploads/PDF_Files/EPTANISIAKI%20OPERA.PRAKTIKA%20SYNEDRIOU%202011.pdf.
Charkiolakis, Alexandros. 2012. “ΈÏγα με ελληνικά θÎματα από το ΑÏχείο Frank Choisy στη Μεγάλη Μουσική Βιβλιοθήκη της Ελλάδος ‘Λίλιαν ΒουδοÏÏη’ [Works with Greek subjects from the Frank Choisy Archive at the Music Library of Greece ’Lilian Voudouri’]”. Μουσικός Ελληνομνήμων January-April: 50”“55.
Lerch-Kalavrytinos, Irmgard. 2013. “Frank Choisy (1872-1966) - A Swiss-Belgian composer in Greece”. In Proceedings of the International Musicological Conference: Crossroads / Greece as an intercultural pole of musical thought and creativity, 481”“502. Thessaloniki. http://crossroads.mus.auth.gr/wpcontent/uploads/2013/07/CROSSROADS_PROCEEDINGS.pdf.
Samson, Jim. 2013. Music in the Balkans. Leiden: Brill.
Stamatogiannaki, Konstantina. 2012. “Το ΑÏχείο Frank Choisy στο Ε.Λ.Ι.Α / Îœ.Ι.Ε.Τ" [The Frank Choisy Archive at the E.L.I.A /M.I.E.T.” Μουσικός Ελληνομνήμων January-April: 45”“49.
Xepapadakou, Avra, e Alexandros Charkiolakis. 2014. “Το λυÏικό θÎατÏο και η μουσική ÏƒÎ±Î»Î¿Î½Î¹Î¿Ï ÏƒÏ„Î¿Î½ ελληνόφωνο πεÏιοδικό ΤÏπο του 19ου αιώνα [Lyrical theatre and salon music in the greek-speaking Press of the 19th century]”. In Proceedings of the 5th European Congress of Modern Greek Studies of the European Society of Modern Greek Studies (EENS): Continuities, Discontinuities, Ruptures in the Greek World (1204-2014): Economy, Society, History, Literature, 159”“70. Thessaloniki. http://www.eens.org/EENS_congresses/2014/books/5_TOMOI.pdf.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2015 Música em Contexto
This work is licensed under a Creative Commons Attribution 4.0 International License.