The Classical Interlude: A Law of Recessive Tonal Accent for ‘Classical’-era Indo-European

Autores

  • A. P. David

DOI:

https://doi.org/10.26512/dramaturgias.v0i4.8531

Resumo

It is shown that W. S. Allen’s theory of a ‘contonation’, derived from Vedic descriptions, accounts for the apparently divergent ‘tone’ and ‘stress’ rules (respectively) for ancient Greek and Latin, as well as, by extension, classical Sanskrit. Historically, Greek and Latin show evidence of an active stress component in their accentuation in the weakening grade of adjacent vowels, an effect that appears not to be present during the classical period. It turns out that all three classical languages display patterns of accentuation in their received grammatical traditions which can be formulated in terms of a 'recessive' rule when the role of quantity is factored in. 

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Biografia do Autor

A. P. David

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Referências

Allen, W. Sidney. 1973. Accent and Rhythm. Cambridge: Cambridge University Press.

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Buck, Carl Darling. 1948. Comparative Grammar of Greek and Latin. Chicago: University of Chicago Press.

David, A. P. 2006. The Dance of the Muses: Choral Theory and Ancient Greek Poetics. Oxford: Oxford University Press.

Devine, A. M., and Stephens, L. D. 1984. Language and Metre. Chico, California: Scholars Press.

Golston, Chris. 1990. Floating H (and L*) Tones in Ancient Greek. In: Meyers, J. and P. E. Pérez (eds.) Arizona Phonology Conference, iii (1990). Tuscon: University of Arizona Linguistics Department.

Sauzet, P. 1989. L’accent grec ancien et les relations entre structure métrique et représentation autosegmentale. Langages 95: 81-113.

Sihler, Andrew L. 1995. New Comparative Grammar of Greek and Latin. New York: Oxford University Press.

Sommerstein, Alan H. 1973. The Sound Pattern of Ancient Greek. Oxford: Basil Blackwell.

West, M. L. 2008. Review of A. P. David, The Dance of the Muses. Choral Theory and Ancient Greek Poetics. Journal of Hellenic Studies 128: 182-3.

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Publicado

2017-10-27

Como Citar

David, A. P. (2017). The Classical Interlude: A Law of Recessive Tonal Accent for ‘Classical’-era Indo-European. Dramaturgias, (4), 229–237. https://doi.org/10.26512/dramaturgias.v0i4.8531

Edição

Seção

Ideias e críticas