ABRE ALAS: UM CONCERTO Á DOIDIVANA

Authors

  • Caísa Tibúrcio

DOI:

https://doi.org/10.26512/dramaturgias30.60969

Keywords:

Creative process, Chiquinha Gonzaga, Musicality

Abstract

This paper presents the record and analysis of the creation process of the show "Abre Alas: Concerto à Doidivana" that took place between 2021 and 2022, as well as the analysis of historical documents that refer to the life and work of the composer Chiquinha Gonzaga. In this analysis, I seek to understand artistic creation as a path of knowledge construction linked to other forms of knowledge, in an interdisciplinary context.

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Published

2025-12-30

How to Cite

Tibúrcio, C. (2025). ABRE ALAS: UM CONCERTO Á DOIDIVANA. Dramaturgies, (30), 18–40. https://doi.org/10.26512/dramaturgias30.60969

Issue

No. 30 (2025): Staging, performativity, feminisms and transfeminisms

Section

Dossiê

License

Copyright (c) 2025 Caísa Tibúrcio

Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

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