The apotropaic and prophylactic in the Artemision of Thassos: a contextual interpretation of the black-figure pottery from the Archaic period

Authors

  • Juliana Figueira da Hora Universidade de São Paulo – São Paulo – SP – Brasil / Universidade de Santo Amaro – Santo Amaro – SP – Brasil

DOI:

https://doi.org/10.14195/1984-249X_32_05

Keywords:

Apotropaic and Prophylactic, Archaic period, Artemision, Thassos, Black Figure Pottery

Abstract

This paper is centered on Thassos, an island situated in the Northern Aegean, settled by Greeks from Paros. We focus on the Archaic Period, more specifically on the sixth century BC, the peak of local production. Departing from the archaeological contexts through excavation reports, we analyze significant social and religious connections among votive materials associated with the Thasian black-figure pottery. These connections brought us elements that allowed us to interpret the multiculturalism imbricated within the objects, the mimicry and the innovations in the decoration of this black-figure pottery, as well as the particular demand in quantitative terms of a type of vessel called lekane, an object that was loaded with information and religious and apotropaic meaning. In addition, those same elements also showed us traits that reveal votive practices, judging by the way the pottery was exhibited, and its decorative features, which to date are only attested in Thassos. The research revealed intrinsic relationships linked to the various facets of Artemis, the protection of women in childbirth, revealed through the analysis of the objects in context.

Downloads

Download data is not yet available.

References

BECK, H. (2020). Localism and the Ancient Greek City-state Chicago, University of Chicago Press.

BHABHA, H.K. (2012). The local of the culture Routledge, London.

BRUNEAU, P. (1975). Situation méthodologique de l’histoire de l’art antique. L’ Antiquité Classique 44, p. 425-487.

BURKERT, W. (1993). Concordia Discors: the Literary and the Archaeological Evidence on the Sanctuary of Samothrace. In: Marinatos, N.; Hägg, R. Greek sanctuaries: new approaches. London, Routledge. p. 178-191.

COOKE, M. (1913). The painting of the Villa Item at Pompeii. The Journal of Roman Studies 3, n. 2, p. 157-174.

COULIÉ, A. (1998). Réflexion sur la structure d’un atelier à partir de ses productions: les cas de l’atelier thasien à figure noires. Topoi 8, n. 2, p. 719-729.

COULIÉ, A. (2000). Les vases à reliefs thasiens de l’époque archaïque. Bulletin de Correspondance Hellénique v. 124 (1), p. 99-160.

COULIÉ, A. (2002). La Céramique Thasienne à Figures Noires Athens, École Française d’Athènes.

CROISSANT, F. (1983). Les protomés féminines archaiques. Recherches sur les représentations du visage dans la plastique grecque de 550 à 480 avant J.-C Paris, de Bocard.

DUCHÊNE, H. (1992). La stèle du port. Fouilles du Port 1. Recherches sur une nouvelle inscription thasienne. Athens, École Française d’Athènes .

DELCOURT, M. (1981). Oedipe ou la legende du conquérant Paris, Les Belles Lettres.

FILIPPUCCI, M. (2009). Il grifo, simbolo cristiano. L’ibridazione delle rappresentazioni degli spazi celebrativi cristiani. In: BELARDI, P. (a cura di). 2008. Idee per la Rappresentazione: Ibridazioni; atti del seminario di studi Venezia, Artegrafica.

FLORENZANO, B. (1995). Anotações sobre a representação de monstros nas moedas gregas. Revista do Museu de Arqueologia e Etnologia 5, p. 223-234.

FOL, A. (1984) “Artemis”. In: BALTY, Jean; BOARDMAN, John; BRUNEAU, Philippe; CANCIANI, Fulvio; KAHIL, Lilly; LAMBRINOUDAKIS, Vassilis; SIMON, Erika (comité de rédaction). Lexicon Iconographum Mythologiae Classicae (LIMC). Zürich; München: Artemis, vol.II.1, p. 618-774; vol. II.2, p. 442-563.

GHALI-KAHIL, L. (1960). La céramique grecque (fouilles 1911-1956). Athens, École Française d’Athènes .

HÄGG, R.; MARINATOS, N. (eds.) (1993). Greek Sanctuaries. New Approaches London, Routledge , p. 142-152.

HENDERSON, J. (1991). The maculate muse: Obscene language in Attic comedy New York, Oxford University Press.

HERMARY, A; JAEGER, B. (eds.) (2004) THESAURUS CULTUS ET RITUUM ANTIQUORUM (ThesCRA). Basel; Los Angeles, Fondation pour le Lexicon Iconographicum Mythologiae Classicae; Getty Publishing.

HODDER, I; HUTSON, S. (2003). Reading the Past. Current approaches to interpretation in Archaeology 3rd ed. Cambridge, Cambridge University Press.

HORA, J. H (2018). A cerâmica de figuras negras tasienses no contexto arqueológico: múltipla Ártemis e o feminino na Tasos arcaica PHD Thesis, Sao Paulo.

HORA, J. H. (2019). Localismo e glocalismo no norte do egeu: por uma abordagem contextual na trácia arcaica.Revista Hélade5.3, p. 144-167.

JOHNSTON, S. (1991). Crossroads. Zeitschrift für Papyrologie und Epigraphik 88, p. 217-224.

LAFLAMME, M. (2007). Figures féminines de la mort en Grèce ancienne: une coherence dans la diversité Dissertation MA, Montreal

LÉMOS, A. (1991). Archaic Pottery of Chios. The Decorated Styles Vol. 1: text Oxford, Oxbow Books.

LIDDELL, Henry George, SCOTT, Robert, et JONES, Henry Stuart.A Greek-English lexicon: with a supplement Suppl (1996). Revised supplement. Oxford, Clarendon Press.

LIOUTAS, A. (1987). Attische schwarzfigurige Lekanai und Lekanides. Würzburg, Triltsch.

LIMA, A. (2014). Imagem, Gênero e Espaço: representações da Antiguidade Niterói, Alternativa.

MAFFRE, A; TICHIT, J. (2011). Quelles offrandes faisait-on à Artémis dans son Sancctuaire de Thasos? Kernos, Suppl. 24, p. 137-164.

MAZET, C. (2016). La Пότνια θηρῶν ou les frontières de l’Autre. Réflexion archéologique sur la signification d’une image homérique en Grèce orientalizante.Kentron, Revue pluridisciplinaire du monde antique 32, p. 17-58.

MULLER, A; MULLIEZ, D (eds.). (2012). Cent ans de fouilles françaises à Thasos - 1911-2011. Catherine Aubert Athènes: École Française d’Athènes.

PERDRIZET, P. (1904). L'Hippalectryon, contribution à l'étude de l'ionisme (Planche I). Revue des Études Anciennes 6, n. 1, p. 7-30.

PINGIATOGLOU, S. (1981). Eileithya Würzburg, Königshausen und Neuman.

PRÊTRE, C. (1999). Le matériel votif à Délos. Exposition et Conservation. Bulletin de Correspondance Héllenique 123, p. 389-396.

PRÊTRE, C. (2016). La Fibule et clou. Ex-voto et instrumentum de l’Artemísion. Athens, École Française d’Athènes .

PORTO, V.C. (2020). Material Culture as Amulets: Magical Elements and the Apotropaic in Ancient Roman World.Philosophy Study 10, n. 6, p. 492-502.

PONTIN, P. (2016). Escudo grego: a simbologia de um equipamento defensivo PHD Thesis, São Paulo.

REINACH, A.J. (1912). Les fouilles de Thasos (2eme partie). Comptes rendus des sénces de l’Académia des Inscriptions et Belles-Lettres (CRAI) 56, n.3, p. 222-235.

ROBBINS, F. (1916). The Lot Oracle at Delphi.Classical Philology11, n. 3, p. 278-292.

SALVIAT, F. (1959). Décrets pour Épié, fille de Dionysios : déesses et sanctuaires thasiens.Bulletin de Correspondance Hellénique 83, n. 1, p. 362-397.

SANCHEZ, M. (2016). Symbolus griphones atque anima Italica: the Gryphon as the Emblem of Dichotomy. Independently published work. Available at: https://www.academia.edu/36039430/Symbolus_griphonis_atque_anima_Italica_The_Gryphon_as_the_Emblem_of_Dichotomy. Acessado em 15/06/2020.

» https://www.academia.edu/36039430/Symbolus_griphonis_atque_anima_Italica_The_Gryphon_as_the_Emblem_of_Dichotomy.

SANTOS, L. (2015). Do encanto à Hybris. Representações de seres mitológicos com atributo musical na pintora de vasos gregos MA dissertation, Coimbra.

SARIAN, H. (2004). Aspects d’iconographie d’Hecate en Macédoine et en Thrace. In: HPAKTIKA, Congress de la Fédération Internationale des Associations d’Études Classique. Kabala, Parnassos Literary Society, p. 311-322.

SERRA, O.J. (2012). A Esfinge e seus Mitos na Iconografia Grega. In: SERRA, O.J., Navegações da Cabeça Cortada. Breve incursão no campo dos Estudos Clássicos. Salvador, Editora da Universidade Federal da Bahia.

SOURVINOU-INWOOD, C. (1990). Myths in images: Theseus and Medea as a case study. In: EDMUNDS, L. (ed).Approaches to Greek Myth Baltimore, John Hopkins University Press, p. 395-445.

TSIAFAKIS, D. (2003). ΠΕΛΩΡΑ: Fabulous Creatures and/or Demons of Death. In: PADGETT, J.M. (ed.).The Centaur’s Smile. The Human Animal in Early Greek Art New Haven, Princeton University Art Museum, p. 73-104.

VIKELA, E. (2008). The worship of Artemis in Attica: Cult places, rites, iconography', In: KALTSAS, N.; SHAPIRO, A. Worshiping Women, Ritual and Reality in Classical Athens New York, Alexander S. Onassis Public Benefit Foundation, p. 79-87.

WAIBLINGER, A. (1999). Céramiques de la necrópole d’Éléonte. In: PUIG, M.C.V.; LISSARRAGUE, FR.; ROUILLARD, P., ROUVERET, A. (Éds.). Ceramique et peinture grecques. Modes d’emploi, Actes du Colloque international, École du Louvre, 26-27-28 avril Paris, La Documentation Française p. 97-103.

ZOGRAFOU, A. (2010). Chemins d’Hecate: portes, routes, carrefours et autres figures de l’entre-deux Liége, Presses Universitaires de Liège.

Downloads

Published

2022-04-15

How to Cite

Figueira da Hora, J. (2022). The apotropaic and prophylactic in the Artemision of Thassos: a contextual interpretation of the black-figure pottery from the Archaic period. Revista Archai, (32), e03205. https://doi.org/10.14195/1984-249X_32_05

Issue

Section

Articles