Stravinsky como estudioso:
música antiga e as obras americanas
Palavras-chave:
Stravinsky, música antiga, antologia, missa, orfeu, Canticum sacrum, AgonResumo
O interesse de Igor Stravinsky sobre a música antiga se intensificou depois da sua emigração aos Estados Unidos, onde a música por ele estudada incluiu antologias pedagógicas recentemente publicadas e outros itens. Ele se refere à música antiga em vários momentos nos livros de “conversação” e em outros lugares, porém, raramente admite abertamente a influência da música antiga sobre a sua própria. Contudo, pode-se observar aspectos da música de Stravinsky engajando com o conteúdo de diversas fontes de música antiga então disponíveis. Este aspecto do seu estilo pode ser estudado como um componente interessante do seu neoclassicismo tardio e primeiro serialismo.
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Referências
Agawu, V. Kofi. “Stravinsky’s ‘Mass’ and Stravinsky Analysis.” Music Theory Spectrum, vol. 11, no. 2 (Autumn, 1989): 139-163.
Apel, Willi. Notation of Polyphonic Music. Cambridge, MA, Mediaeval Academy of America, 1942.
Butler, Christopher. “Stravinsky as Modernist.” In The Cambridge Companion to Stravinsky, edited by Jonathan Cross, 19-36. Cambridge: Cambridge University Press, 2003.
Craft, Robert. “A Personal Preface.” The Score, no. 20 (1957), 7-13.
Craft, Robert. “Stravinsky’s Mass: A Notebook.” In Igor Stravinsky, ed. Edwin Corle, 201-206. New York: Duell, Sloan and Pearce, 1949.
Craft, Robert. Liner to notes to Stravinsky, I.: Mass / Cantata / Symphony of Psalms (Craft) (Stravinsky, Vol. 6). Naxos 8.557504, 2006.
Craft, Robert, ed.: Stravinsky: Selected Correspondence. New York: Knopf, 1982”“85.
Dahl, Ingolf. “The New Orpheus.” In Stravinsky in the Theatre, edited by Minna Lederman, 70-74. New York: Pellegrini & Cudahy, 1949.
De Lauze, François. Apologie de la danse ... A Treatise of Instruction in Dancing and Deportment. Translation, introduction and notes by Joan Wildeblood. London: Frederick Muller, 1952.
Echols, Paul C. and Maria V. Coldwell. “Early-music Revival.” Grove Music Online. Oxford Music Online. Oxford University Press. Web. 17 Oct. 2015.
Haskell, Harry. The Early Music Revival: A History. New York: Thames and Hudson, 1988.
Hughes, Timothy Stephen. “An Argument for the Reassessment of Stravinsky’s Early Serial Compositions.” M.M. Thesis, University of North Texas, 1995.
Hyde, Martha M. “Stravinsky’s Neoclassicism.” In The Cambridge Companion to Stravinsky, edited by Jonathan Cross, 98-136. Cambridge: Cambridge University Press, 2003.
Joseph, Charles M. Stravinsky and Balanchine: A Journey of Invention. New Haven : Yale University Press, 2002.
Lee, Sunhwa. “Aesthetics of Objectivism in Igor Stravinsky's Neoclassical Works.” M.A. Thesis, University of Oregon, 2012.
Lowinsky, Edward E. Tonality and Atonality in Sixteenth-century Music. Berkeley: University of California Press, 1961.
Nabokov, Nicholas. “Christmas with Stravinsky.” In Igor Stravinsky, edited by Edwin Corle, 179. New York: Duell, Sloan and Pearce, 1949.
Pasler, Jann. “Review: Stravinsky and His Craft: Trends in Stravinsky Criticism and Research.” The Musical Times, vol. 124, no. 1688 (October, 1983): 605-609.
Randel, Julia. “Un-Voicing Orpheus: The Powers of Music in Stravinsky and Balanchine’s ‘Greek’ Ballets.” The Opera Quarterly, vol. 29, no. 2 (2014): 101-145.
Reese, Gustave. Music in the Middle Ages. New York: W. W. Norton, 1940.
Shold, Jonathan. “‘Temporalities of Timelessness’ in Stravinsky's Neoclassical Apotheoses.” M.M. Thesis, Bowling Green State University, 2011.
Stilwell, Robynn. “Stravinsky and Balanchine: A Musico-choreographic Analysis of Agon.” Ph.D. Diss., University of Michigan, 1994.
Straus, Joseph N. Stravinsky’s Late Music. Cambridge: Cambridge University Press, 2001.
Stravinsky, Igor, and Robert Craft. Conversations with Igor Stravinsky. London: Faber & Faber, 1959.
Stravinsky, Igor, and Robert Craft. Memories and Commentaries. London: Faber & Faber, 1959.
Stravinsky, Igor, and Robert Craft. Expositions and Developments. London: Faber & Faber: 1962.
Stravinsky, Igor, and Robert Craft. Dialogues and a Diary. Garden City, New York: Doubleday and Company, 1963.
Stravinsky, Igor, and Robert Craft. Memories and Commentaries. London: Faber & Faber, Garden City, N.Y.: Doubleday, 1960.
Stravinsky, Igor, and Robert Craft. Themes and Episodes. New York: A. A. Knopf, 1966.
Stravinsky, Igor, and Robert Craft. Retrospectives and Conclusions. New York: A. A. Knopf, 1969.
Stravinsky, Igor, and Robert Craft. Themes and Conclusions. London: Faber & Faber, 1972. A reprint of Themes and Episodes and Retrospectives and Conclusions.
Stravinsky, Vera and Robert Craft, Stravinsky in Pictures and Documents. New York: Simon & Schuster, 1978.
Van den Toorn, Pieter. The Music of Igor Stravinsky. New Haven : Yale University Press, 1983.
Vlad, Roman. Stravinsky. London: Oxford University Press, 1960. Originally published in Italian in 1958.
Walsh, Stephen. “Stravinsky, Igor.” Grove Music Online. Oxford Music Online. Oxford University Press. Web. 24 Oct. 2015. <http://www.oxfordmusiconline.com/subscriber/article/grove/music/52818pg12>
White, Eric Walter. Stravinsky: The Composer and his Works. 2nd edition. Berkeley: University of California Press, 1979.
White, Eric Walter. Stravinsky’s Sacrifice to Apollo. London : Leonard and Virginia Woolf, 1930.
Davison. Archibold T., and Willi Apel, eds. Historical Anthology of Music. 2 vols., “Oriental, Medieval and Renaissance Music,” and “Baroque, Rococo, and Pre-Classical Music”) (Cambridge, Mass.: Harvard University Press, 1945 (rev. 1949) and 1950.
Gleason, Harold, ed. Examples of Music before 1400. Rochester, N.Y.: Eastman School of Music Publications, 1942.
Marrocco, Thomas. Fourteenth-century Italian Cacce. Cambridge, MA, Mediaeval Academy of America, 1942.
Parrish, Carl, and John F. Ohl, eds. Masterpieces of Music before 1750. New York: W. W. Norton, 1951.
Reaney, Gilbert, ed. Early Fifteenth-Century Music. Rome: American Institute of Musicology, 1955.
Riemann, Hugo. Musikgeschichte in Beispielen Leipzig: Breitkopf & Härtel, 1925.
Wolf, Johannes. Geschichte der Mensural-Notation von 1250. Leipzig: Breitkopf & Härtel, 1904.
Wolf, Johannes. Sing- und Spielmusik aus alterer Zeit. Leipzig: Quelle & Meyer, 1926; republished as Music of Earlier Times, New York: Broude Bros., [1946].
Apel, Willi. Notation of Polyphonic Music. Cambridge, MA, Mediaeval Academy of America, 1942.
Butler, Christopher. “Stravinsky as Modernist.” In The Cambridge Companion to Stravinsky, edited by Jonathan Cross, 19-36. Cambridge: Cambridge University Press, 2003.
Craft, Robert. “A Personal Preface.” The Score, no. 20 (1957), 7-13.
Craft, Robert. “Stravinsky’s Mass: A Notebook.” In Igor Stravinsky, ed. Edwin Corle, 201-206. New York: Duell, Sloan and Pearce, 1949.
Craft, Robert. Liner to notes to Stravinsky, I.: Mass / Cantata / Symphony of Psalms (Craft) (Stravinsky, Vol. 6). Naxos 8.557504, 2006.
Craft, Robert, ed.: Stravinsky: Selected Correspondence. New York: Knopf, 1982”“85.
Dahl, Ingolf. “The New Orpheus.” In Stravinsky in the Theatre, edited by Minna Lederman, 70-74. New York: Pellegrini & Cudahy, 1949.
De Lauze, François. Apologie de la danse ... A Treatise of Instruction in Dancing and Deportment. Translation, introduction and notes by Joan Wildeblood. London: Frederick Muller, 1952.
Echols, Paul C. and Maria V. Coldwell. “Early-music Revival.” Grove Music Online. Oxford Music Online. Oxford University Press. Web. 17 Oct. 2015.
Haskell, Harry. The Early Music Revival: A History. New York: Thames and Hudson, 1988.
Hughes, Timothy Stephen. “An Argument for the Reassessment of Stravinsky’s Early Serial Compositions.” M.M. Thesis, University of North Texas, 1995.
Hyde, Martha M. “Stravinsky’s Neoclassicism.” In The Cambridge Companion to Stravinsky, edited by Jonathan Cross, 98-136. Cambridge: Cambridge University Press, 2003.
Joseph, Charles M. Stravinsky and Balanchine: A Journey of Invention. New Haven : Yale University Press, 2002.
Lee, Sunhwa. “Aesthetics of Objectivism in Igor Stravinsky's Neoclassical Works.” M.A. Thesis, University of Oregon, 2012.
Lowinsky, Edward E. Tonality and Atonality in Sixteenth-century Music. Berkeley: University of California Press, 1961.
Nabokov, Nicholas. “Christmas with Stravinsky.” In Igor Stravinsky, edited by Edwin Corle, 179. New York: Duell, Sloan and Pearce, 1949.
Pasler, Jann. “Review: Stravinsky and His Craft: Trends in Stravinsky Criticism and Research.” The Musical Times, vol. 124, no. 1688 (October, 1983): 605-609.
Randel, Julia. “Un-Voicing Orpheus: The Powers of Music in Stravinsky and Balanchine’s ‘Greek’ Ballets.” The Opera Quarterly, vol. 29, no. 2 (2014): 101-145.
Reese, Gustave. Music in the Middle Ages. New York: W. W. Norton, 1940.
Shold, Jonathan. “‘Temporalities of Timelessness’ in Stravinsky's Neoclassical Apotheoses.” M.M. Thesis, Bowling Green State University, 2011.
Stilwell, Robynn. “Stravinsky and Balanchine: A Musico-choreographic Analysis of Agon.” Ph.D. Diss., University of Michigan, 1994.
Straus, Joseph N. Stravinsky’s Late Music. Cambridge: Cambridge University Press, 2001.
Stravinsky, Igor, and Robert Craft. Conversations with Igor Stravinsky. London: Faber & Faber, 1959.
Stravinsky, Igor, and Robert Craft. Memories and Commentaries. London: Faber & Faber, 1959.
Stravinsky, Igor, and Robert Craft. Expositions and Developments. London: Faber & Faber: 1962.
Stravinsky, Igor, and Robert Craft. Dialogues and a Diary. Garden City, New York: Doubleday and Company, 1963.
Stravinsky, Igor, and Robert Craft. Memories and Commentaries. London: Faber & Faber, Garden City, N.Y.: Doubleday, 1960.
Stravinsky, Igor, and Robert Craft. Themes and Episodes. New York: A. A. Knopf, 1966.
Stravinsky, Igor, and Robert Craft. Retrospectives and Conclusions. New York: A. A. Knopf, 1969.
Stravinsky, Igor, and Robert Craft. Themes and Conclusions. London: Faber & Faber, 1972. A reprint of Themes and Episodes and Retrospectives and Conclusions.
Stravinsky, Vera and Robert Craft, Stravinsky in Pictures and Documents. New York: Simon & Schuster, 1978.
Van den Toorn, Pieter. The Music of Igor Stravinsky. New Haven : Yale University Press, 1983.
Vlad, Roman. Stravinsky. London: Oxford University Press, 1960. Originally published in Italian in 1958.
Walsh, Stephen. “Stravinsky, Igor.” Grove Music Online. Oxford Music Online. Oxford University Press. Web. 24 Oct. 2015. <http://www.oxfordmusiconline.com/subscriber/article/grove/music/52818pg12>
White, Eric Walter. Stravinsky: The Composer and his Works. 2nd edition. Berkeley: University of California Press, 1979.
White, Eric Walter. Stravinsky’s Sacrifice to Apollo. London : Leonard and Virginia Woolf, 1930.
Davison. Archibold T., and Willi Apel, eds. Historical Anthology of Music. 2 vols., “Oriental, Medieval and Renaissance Music,” and “Baroque, Rococo, and Pre-Classical Music”) (Cambridge, Mass.: Harvard University Press, 1945 (rev. 1949) and 1950.
Gleason, Harold, ed. Examples of Music before 1400. Rochester, N.Y.: Eastman School of Music Publications, 1942.
Marrocco, Thomas. Fourteenth-century Italian Cacce. Cambridge, MA, Mediaeval Academy of America, 1942.
Parrish, Carl, and John F. Ohl, eds. Masterpieces of Music before 1750. New York: W. W. Norton, 1951.
Reaney, Gilbert, ed. Early Fifteenth-Century Music. Rome: American Institute of Musicology, 1955.
Riemann, Hugo. Musikgeschichte in Beispielen Leipzig: Breitkopf & Härtel, 1925.
Wolf, Johannes. Geschichte der Mensural-Notation von 1250. Leipzig: Breitkopf & Härtel, 1904.
Wolf, Johannes. Sing- und Spielmusik aus alterer Zeit. Leipzig: Quelle & Meyer, 1926; republished as Music of Earlier Times, New York: Broude Bros., [1946].
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2015-11-23
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Whitehead, Paul. 2015. “Stravinsky Como estudioso:: Música Antiga E As Obras Americanas”. Música Em Contexto 9 (1):117-56. https://periodicos.unb.br/index.php/Musica/article/view/19594.
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