Dias de insurreição em busca do sublime: as cenas punk portuguesa e brasileira
DOI:
https://doi.org/10.1590/s0102-6992-201934020006Palavras-chave:
punk, ethos DIY, autenticidade, discursos, representações sociaisResumo
Este artigo centra-se na explicação e compreensão das representações acerca da autenticidade estética, artística e vivencial por parte de atores das cenas punk portuguesa e brasileira num arco temporal que se situa entre 1977 e 2016. Baseia-se no princípio sociológico de que o conhecimento reflexivo dos atores sociais é matéria-prima de base para a reconstrução científica e, por tal, para o avanço na teoria social. Com base numa metodologia reflexiva, são três os objetivos específicos que perscrutamos: problematizar as complexas relações entre o ethos, a estética e a praxis do-it-yourself (DIY) e o estabelecimento do punk e das suas (sub)cenas em sociedades fora do eixo gravitacional da hegemonia anglo-saxónica; identificar o conjunto de atividades no espectro punk que configurem um ethos e uma praxis de autenticidade e, por último, elucidar, em termos weberianos, os sentidos/significados diversos contraditórios que os atores atribuem ao punk e respetivas vivências em termos de estilo e ideologia.
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